7/10
An uneven story salvaged by three resourceful actors
19 February 2003
Social commentary either elevates the value of a film or bogs it down, and with comedies it is generally the latter. "The Talk of the Town" is no exception; while it is a fun film that has much to admire, the pretensions of the film-makers often get in the way of what could have been a masterpiece of comic suspense. The tone becomes almost unbearably preachy at times, and some of the monologues on `justice' and the `pursuit of truth' are excruciating on the ears. Thankfully, the good people at Columbia hired just the right people to star.

The specific political stances of Leopold Dilg are never made clear; we're just supposed to accept the idea that he's a good guy who is put down by a corrupt system. Fortunately, Cary Grant uses his remarkable charm and talent to turn in a performance that allows us to sympathize with a character whose background is far too vague. Likewise, Jean Arthur and Ronald Colman are able to invest interest in characters that might otherwise have come off two-dimensionally. The charisma of the three leads fuels a love triangle that does a far better job of moving the story forward than any "serious message" that the film-makers were trying to impart to the audience. Grant, Arthur, and Colman are rightfully remembered as three of cinema's finest actors, but they deserve special credit for adding some much-needed pizzazz to this movie.

All in all, "The Talk of the Town" is a rambling, misguided movie saved by smart casting and disciplined acting, not to mention more than a few laughs. It is a classic example of skilled performers triumphing over flawed material.
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