Nice vibes all around
19 November 2001
The story of the making of this genteel biopic is almost as quietly heartwarming as the movie itself: Louis Calhern had been giving small, perfect performances for MGM for years. He went off to Broadway to do this stately biography of Oliver Wendell Holmes. It was a hit. More out of gratitude to Calhern than anything, MGM bought the film rights for him, budgeting it modestly and expecting a low-grossing "prestige picture." It did garner prestige, and even made a little money.

It's a sweet, low-key, moving character portrait, not "opened up" much from the stage and reeking of mid-century theatrical conventions -- you can tell which lines were the scene-enders onstage. The themes are Holmes's unfulfilled desire for sons, his abiding love for his wife, and his thoughtfulness and moral decency as a Supreme Court justice. Episodic and on the slow side, it has a civics-lesson mustiness, and yet it's satisfyingly sincere; the earnestness that MGM so often lent to its Americana works in its favor for a change. Calhern's performance is a model for aspiring actors, and he's matched at every step by Harding, who strikes unusual notes of fire and resolve in the standard behind-every-man loving-spouse part. Not a showy or brilliant movie, but a thoroughly satisfying one.
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