If you can only see one existential noir gangster musical...
11 April 2000
What a weird brew this one is! The toughness of a gangster pic, the existential malhereuse of a trendy European epic, the fine '20s sounds of a period musical, all in Warners wide screen. Webb's production design is arty and interesting, and Lee Marvin is really, really good in a supporting role. There's terse, snappy dialogue that sounds like it's out of a much later movie, and a killer finale that clearly influenced Coppola, Scorsese, and practially every other showy director of that generation.
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