Although it is not perfect, "Goldfinger" works perfectly on nearly every level. It is what a Bond film should be: exciting and fun, with fantastic characters and sets. Sean Connery is at his most confident and relaxed. One senses with his performance that he was still having fun in the role (probably for the last time). This is one of the few times that the script is better than the novel. The story is streamlined into a more coherent and fast-paced narrative. For screenwriting enthusiasts, this script provides a perfect example of a three act screenplay with strong plot points. Entertaining dialogue as well, including some of the best trademark one-liners of the series ("Shocking."). Memorable characters are well-cast and portrayed on the right note, particularly Gert Frobe as Auric Goldfinger, who casually dismisses Bond's concern of killing thousands with, "American motorists kill that many every two years." The friendly mutual loathing between Bond and Goldfinger carries the film within minutes of the first reel. Other memorable characters include Odd Job and Pussy Galore, who combine to keep Bond in check and attempt to ensure Goldfinger's success. The Aston Martin DB5 stole the show. Ingenious gadget modifications include oil slick, machine guns behind the headlights, and passenger ejector seat which provides a once-in-a-life-time ride. The Fort Knox set by Ken Adam glitters, as does the score by John Barry and title song performed by Shirley Bassey. The image of the golden girl, a beautiful female completely painted gold as a gruesome means of murder, remains one of the most recognizable and memorable depictions in the history of cinema. The main imperfection in this film is with the special effects, particularly the shots of small private jets in flight. With less than two hours running time, this film hasn't an ounce of fat on it. It is no wonder this film is widely regarded as the peak in the series, with a legacy the producers have struggled to match since.
Review of Goldfinger
