No real plot to speak of, bar a drawn-out trek through snowy mountain scenery (one of the film's few assets).
An endlessly repeated musical refrain accompanies the gruelling (for the viewer) plodding movements of the cast which are punctuated by the odd cheesy episodes of ultraviolence - a close up of a fire scorched 'victim' reminded me of that great English November tradition of small boys who use a homemade dummy to scrounge money off passers by -"a penny for the Guy, mister?"
SPOILERS
The film's conclusion is brought about by the mysterious appearance of some powerful explosives (!).
As Leonard Maltin would say - BOMB!
An endlessly repeated musical refrain accompanies the gruelling (for the viewer) plodding movements of the cast which are punctuated by the odd cheesy episodes of ultraviolence - a close up of a fire scorched 'victim' reminded me of that great English November tradition of small boys who use a homemade dummy to scrounge money off passers by -"a penny for the Guy, mister?"
SPOILERS
The film's conclusion is brought about by the mysterious appearance of some powerful explosives (!).
As Leonard Maltin would say - BOMB!