Although I have had the soundtrack to this movie since I was a little girl (and LOVED it), I only just rented it and I was pleasantly surprised at how relevant this supposedly "dated" film still seems. In using real NYC locations, this film wisely eschewed a hokey fantasy-carnival setting that the "vaudeville troupe" feel of the stage play might have suggested (and "The Fantasticks" later went with). I was particularly moved by the use of Bethsaida Fountain (recently used in "Angels in America"), and the visual reference to the Statue of Liberty during the line "you are the light of the world." As a "New York movie," this has got to rank right up there with "Annie Hall" or "Moonstruck." While I don't believe that the historical Jesus skipped and bounced when he was preaching, Victor Garber's Christ continues the tradition that Jesus was both human and divine, the incarnation of Love. It's a very thoughtful, nuanced performance. For me, as a twentysomething, it's very moving to see a representation of Jesus around my age (because, of course, in the Bible Jesus disappears between the ages of 12 and 30). And, for the record, the typing of Jesus as a clown dates to the Medieval mystery plays.
I was most struck by David Haskell's performance as John/Judas. This character both loves Jesus best and questions him the most, and in that, I think, represents the polarities of belief that everyone goes through, no matter their faith. Haskell is the strongest singer in the cast and has a sort of smoldering intensity that would not be expected of a young stage actor. The rest of the ensemble makes up in enthusiasm and vocal verve what they may lack in camera experience. They present the parables of Jesus in a way that is easy to understand but not blasphemous... Jesus says "Rejoice" but he makes no bones about the punishment for sin, either. In sum, "Godspell" is campy and dated, yes, but it's altogether a pleasant piece... in times like these, I daresay we need a smiling Jesus more than we need Mel Gibson's bloody, tortured Christ.
I was most struck by David Haskell's performance as John/Judas. This character both loves Jesus best and questions him the most, and in that, I think, represents the polarities of belief that everyone goes through, no matter their faith. Haskell is the strongest singer in the cast and has a sort of smoldering intensity that would not be expected of a young stage actor. The rest of the ensemble makes up in enthusiasm and vocal verve what they may lack in camera experience. They present the parables of Jesus in a way that is easy to understand but not blasphemous... Jesus says "Rejoice" but he makes no bones about the punishment for sin, either. In sum, "Godspell" is campy and dated, yes, but it's altogether a pleasant piece... in times like these, I daresay we need a smiling Jesus more than we need Mel Gibson's bloody, tortured Christ.