Whether you like it or not this is a milestone in the history of cinema. Like the James Bond movie Thunderball set new standards for violence in mainstream cinema, Emmanuel set new standards for sexual content.
Certainly the film was an amazing hit and box office records quickly tumbled. It is the most seen French film of all time and holds the record for the longest run at a single non-multiplex cinema (18 months in Paris, France). After this film sex on film was a completely different beast and many directors (new and old) used part of the template.
Anyone one wanting a dirty movie will be sadly disappointed. Here sex is treated as natural, rarely earth shattering and almost matter-of-fact. The bedroom is only one of the locations where the act takes place - in fact I am surprised the participants weren't arrested!
Sylvia Kristel plays a newly married wife of 22 (19 in reality) with no previous film experience (this is no accident). Previously she had only appeared in commercials. She is the innocent who becomes corrupted, but it is a journey of corruption she is happy to take. Her nice-but-cold older husband is also all for it. The circumstances behind their marriage are not even touched upon - but maybe it was a marriage of convenience as he is a world travelling diplomat?
For a film aimed at men, men are rarely shown in a great light. Emmanuel finds she is bisexual and looks happier with women than with men - who commonly treat her as a sex object. If she appeared brighter she could even be viewed as a feminist icon, but even the high queen of feminism Germaine Greer says she is a "bimbo."
Lot of things are dated in this movie. The view of casual unprotected sex certainly. There is even a casual rape. But its use of third-world locations is a treat on the eye (on the big screen especially) and there is nothing substandard about the production. Even the music is first class and still does the rounds on its own.
The photography is as good as you would see in a big budget epic. The film moves along at a slow but steady pace and you do look forward to finding out what happens next or how a situation is resolved.
The film is nothing but a study of an open marriage from the female perspective. The fact that she yields to the experiences and becomes more sexual bold is clearly pleasing to the male viewer. No doubt this was a date movie for males those that wanted their partners to follow her lead.
This is a clever erotic movie. It stays in the mind long after seeing it and Kristel looks comfortable with or without her clothes. She is far from a great actress, but she does have poise and dignity. The sequels that followed are nothing more than attempts to extract more money from a franchise and are merely routine entertainment.
Certainly the film was an amazing hit and box office records quickly tumbled. It is the most seen French film of all time and holds the record for the longest run at a single non-multiplex cinema (18 months in Paris, France). After this film sex on film was a completely different beast and many directors (new and old) used part of the template.
Anyone one wanting a dirty movie will be sadly disappointed. Here sex is treated as natural, rarely earth shattering and almost matter-of-fact. The bedroom is only one of the locations where the act takes place - in fact I am surprised the participants weren't arrested!
Sylvia Kristel plays a newly married wife of 22 (19 in reality) with no previous film experience (this is no accident). Previously she had only appeared in commercials. She is the innocent who becomes corrupted, but it is a journey of corruption she is happy to take. Her nice-but-cold older husband is also all for it. The circumstances behind their marriage are not even touched upon - but maybe it was a marriage of convenience as he is a world travelling diplomat?
For a film aimed at men, men are rarely shown in a great light. Emmanuel finds she is bisexual and looks happier with women than with men - who commonly treat her as a sex object. If she appeared brighter she could even be viewed as a feminist icon, but even the high queen of feminism Germaine Greer says she is a "bimbo."
Lot of things are dated in this movie. The view of casual unprotected sex certainly. There is even a casual rape. But its use of third-world locations is a treat on the eye (on the big screen especially) and there is nothing substandard about the production. Even the music is first class and still does the rounds on its own.
The photography is as good as you would see in a big budget epic. The film moves along at a slow but steady pace and you do look forward to finding out what happens next or how a situation is resolved.
The film is nothing but a study of an open marriage from the female perspective. The fact that she yields to the experiences and becomes more sexual bold is clearly pleasing to the male viewer. No doubt this was a date movie for males those that wanted their partners to follow her lead.
This is a clever erotic movie. It stays in the mind long after seeing it and Kristel looks comfortable with or without her clothes. She is far from a great actress, but she does have poise and dignity. The sequels that followed are nothing more than attempts to extract more money from a franchise and are merely routine entertainment.