This sequel is just as terrific as the first film, if not more so. I hesitate to call it a sequel, as "sequel" is quite simply the wrong word I am looking for. A film like "The Matrix Reloaded" is a sequel - "The Godfather Part II" is something more. It's just too good to be called a sequel.
The film won six Oscars in 1974, including Best Picture and Best Supporting Actor (Robert De Niro). It deserved every one. It involves the viewer from the start and never lets up. Particular aspects I enjoy in this film are the flashbacks to Don Vito Corleone as a child immigrating to New York City after social problems in his homeland, Sicily. I like the intertwining of Michael Corleone (Al Pacino), his son, in present day, dealing with his crime inheritance, and Vito (Robert De Niro), his father, years ago. I like how, as Michael comes to terms with his family legacy, the film shows us Vito coming to terms with his future. The day he shoots that man in a gritty apartment complex is a turning point in his life.
Every actor is in top form here. Al Pacino has gradually made the move from a man who denies his future to a man who is accepting it. His character is the spotlight of this film, much more so than in the first film (though both center around his decisions).
Robert De Niro is particularly wonderful and convincing as a young Vito Corleone, who was of course played by the constantly-spoofed Marlon Brando in the original. De Niro takes an iron grip on his character and completely engulfs himself; this was, in 1974, the sign of an actor who would go places. Indeed, he did.
Coppola's magical sense of direction is at work here, as is the script by Coppola and Mario Puzo (whose novels the series is based upon). The original was a wonderful film, but the sequel presents more of a challenge. Flashbacks are often intercut in the middle of other films are awkward times, but in "The Godfather Part II," Coppola uses them at precisely the right moments, managing to careen in and out of scenes and time periods with free abandon.
It takes a great kind of skill to master something like this, much less a sequel to one of the most beloved films of all time. "The Godfather" was an instant classic upon its release in 1972. Coppola had two years to plan for his continuation of the film. People told him it wouldn't work, he would never beat the original, and he would never pull it off. But he showed them all. "The Godfather Part II" may well be the best sequel I have ever seen in my entire lifetime. I wish they were all this good. To call it a "sequel" almost seems insulting.
The film won six Oscars in 1974, including Best Picture and Best Supporting Actor (Robert De Niro). It deserved every one. It involves the viewer from the start and never lets up. Particular aspects I enjoy in this film are the flashbacks to Don Vito Corleone as a child immigrating to New York City after social problems in his homeland, Sicily. I like the intertwining of Michael Corleone (Al Pacino), his son, in present day, dealing with his crime inheritance, and Vito (Robert De Niro), his father, years ago. I like how, as Michael comes to terms with his family legacy, the film shows us Vito coming to terms with his future. The day he shoots that man in a gritty apartment complex is a turning point in his life.
Every actor is in top form here. Al Pacino has gradually made the move from a man who denies his future to a man who is accepting it. His character is the spotlight of this film, much more so than in the first film (though both center around his decisions).
Robert De Niro is particularly wonderful and convincing as a young Vito Corleone, who was of course played by the constantly-spoofed Marlon Brando in the original. De Niro takes an iron grip on his character and completely engulfs himself; this was, in 1974, the sign of an actor who would go places. Indeed, he did.
Coppola's magical sense of direction is at work here, as is the script by Coppola and Mario Puzo (whose novels the series is based upon). The original was a wonderful film, but the sequel presents more of a challenge. Flashbacks are often intercut in the middle of other films are awkward times, but in "The Godfather Part II," Coppola uses them at precisely the right moments, managing to careen in and out of scenes and time periods with free abandon.
It takes a great kind of skill to master something like this, much less a sequel to one of the most beloved films of all time. "The Godfather" was an instant classic upon its release in 1972. Coppola had two years to plan for his continuation of the film. People told him it wouldn't work, he would never beat the original, and he would never pull it off. But he showed them all. "The Godfather Part II" may well be the best sequel I have ever seen in my entire lifetime. I wish they were all this good. To call it a "sequel" almost seems insulting.