I love this movie! I saw it with my mom in '77 and even though I couldn't have possibly gotten all the jokes and double entendres, I loved it. Seeing it now (I own it on VHS; they don't put movies like this out on DVD all that often), I love it even more.
Everything about it positively SCREAMS mid-1970s, from Dick's Thunderbird with the 600-feet-long hood to Jane's clunky Mercury Montego wagon to JANE FONDA WEARING HER JEANS ROLLED UP TO JUST BELOW THE KNEE TO SHOW OFF HER BOOTS! If you're a 70s afficianado, you can't help but love the time capsule that this movie represents. Another big bonus is the guy who played Schneider on One Day at a Time, who here plays a loud contractor with a big bullhorn.
As others have noted, the movie is also a time capsule to an era when it was not only OK, but funny to slam African Americans, Hispanics and especially gays. It was a little painful to see George Segal be so homophobic, but I choose to see this as a reflection of how far society has leapt in the last 25 years.
I've read elsewhere that Jane only made this movie for the $ to support then-husband Tom Hayden's political campaign/career. Even still, the late 1970s was Jane's era, in which she cranked out gem after gem, from the Electric Horseman to an incredibly bitchy role in The California Suite to a powerful performance in The China Syndrome.
All in all, FWDAJ is a funny time capsule that has a few messages, but don't be mislead by posters here who say it's a thinly-veiled moralistic movie. IT IS NOT! It's a fun romp, nothing more or less.
PS: Remember when they sold those things called record albums, the sleeves of which could conceal a gun during an attempted hold-up?!
Everything about it positively SCREAMS mid-1970s, from Dick's Thunderbird with the 600-feet-long hood to Jane's clunky Mercury Montego wagon to JANE FONDA WEARING HER JEANS ROLLED UP TO JUST BELOW THE KNEE TO SHOW OFF HER BOOTS! If you're a 70s afficianado, you can't help but love the time capsule that this movie represents. Another big bonus is the guy who played Schneider on One Day at a Time, who here plays a loud contractor with a big bullhorn.
As others have noted, the movie is also a time capsule to an era when it was not only OK, but funny to slam African Americans, Hispanics and especially gays. It was a little painful to see George Segal be so homophobic, but I choose to see this as a reflection of how far society has leapt in the last 25 years.
I've read elsewhere that Jane only made this movie for the $ to support then-husband Tom Hayden's political campaign/career. Even still, the late 1970s was Jane's era, in which she cranked out gem after gem, from the Electric Horseman to an incredibly bitchy role in The California Suite to a powerful performance in The China Syndrome.
All in all, FWDAJ is a funny time capsule that has a few messages, but don't be mislead by posters here who say it's a thinly-veiled moralistic movie. IT IS NOT! It's a fun romp, nothing more or less.
PS: Remember when they sold those things called record albums, the sleeves of which could conceal a gun during an attempted hold-up?!