The year is 1980. With "Star Wars" already engrained into popular culture shortly after its release (much like "The Lord of the Rings: Fellowship of the Ring" is today), fans were left to ponder what the sequel could offer. Three years after the release of the original, they found out. "The Empire Strikes Back" delivers a strong emotional punch. Unlike its predecessor however it is not an uplifting and feelgood film. Far from it in fact. "Empire" is a dark, brooding and somewhat surreal film, bristling with conflict and drama. As a result it stands head and shoulders above its prequels and sequel.
We join the Rebel Alliance possibly five or so years since the destruction of the Death Star. Despite their victory, the Empire continues to close in. Retreating to the ice planet of Hoth, the Rebels are on the run. A hugely impressive Imperial Starfleet nears Hoth under the leadership of Darth Vader. Obsessed with locating young Luke Skywalker (Mark Hamill) Vader is unrelenting in his pursuit. Urged on by the knowledge that Skywalker represents a shift in the balance of the Force, Vader vows to either destroy the boy or turn him to the Dark Side to benefit himself and the Emperor.
Meanwhile Luke himself has grown up, if only slightly, since his accomplishments in the first film. More aware of his uncanny power, Luke feels the Force now but cannot control its impulses. His talent is raw and under the advise of the apparition of Obi Wan Kenobi (Alec Guiness), Luke is instructed to learn from Yoda, a great Jedi Master on the planet of Degobah.
As the Empire invades Hoth we are treated to an impressive ground battle. Making use of the wads of money available to him at the time, Lucas and director Irvin Kershner commit to a great deal of stop motion camerawork, with the AT-AT walkers and Snowspeeders in combat. Even today, 22 years since "Empire" was released, it still impresses. We also witness the first sparks of romance between Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher). Their character development in this film outweighs their contribution in the sequel "Return of the Jedi", but it works perfectly here.
The Empire is presented as a powerful but incompetent and bickering military machine, with officers destroyed at Vader's whim. Impatient and lacking any tolerance whatsoever, Vader is infuriated at the inability of his highest ranking officers. The Empire seems to fulfill the notion of trying to crack a walnut with a steamroller: powerful but ineffective.
The film's dark and eerie tone takes off when Luke arrives on Degobah. A huge swamp of animal, plant and supernatural life, Degobah is an embodiment of the Force. After crashlanding his X Wing Fighter, Luke wishes to locate Yoda. Impatient and complaining, Luke is shocked to find a small creature who he originally dismisses as a pest actually IS Yoda. Mindful of Luke's age and impatience, Yoda is reluctant to train him. Obi Wan Kenobi's spirit urges Yoda to try. He agrees and Luke's training begins. Luke is tested beyond his mental and spiritual beliefs under Yoda's guidance as he faces his ultimate fear and the possible confirmation of his dark beliefs.
The Yoda character (a puppet performed by Frank Oz), is at once cute and believable. His wisdom is beyond comprehension and his ability to conduct and feel the Force is illustrated brilliantly. Add in John Williams' "Yoda's Theme" and you have the makings of one of the more memorable of all characters in the saga.
Aware of his abilities to see the past and the future, Luke envisions the possible death of Han and Leia as they are double-crossed after seeking asylum. Torn between finishing his training and saving his friends, Luke leaves Degobah to save them. Little does he know their suffering is nothing more than a trap set by Darth Vader on the Cloud City of Bespin.
Luring him in, Vader challenges Luke. Fans of the original lightsabre duel between Obi Wan Kenobi and Darth Vader will get blown away here. The battle still remains the best of all duels in the saga, with the ultra powerful Vader manipulating the young but strong Luke. Set in the dark hues of black, blue and grey their lightsabre fight and its subsequent shock conclusion make "Empire" truly memorable.
The film's ending is left wide open and ready for "Return of the Jedi" as the viewer leaves the film uncertain but eager for more. The special effects and set and costume design remains superb and the floating menace of the Empire's Starfleet is more awe inspiring and terrifying than the original's Death Star. The dark tone of this film is replaced by a warmer feel in ROTJ, but it is the power and dramatic tension that makes this film the best of the "Star Wars" saga so far.
We join the Rebel Alliance possibly five or so years since the destruction of the Death Star. Despite their victory, the Empire continues to close in. Retreating to the ice planet of Hoth, the Rebels are on the run. A hugely impressive Imperial Starfleet nears Hoth under the leadership of Darth Vader. Obsessed with locating young Luke Skywalker (Mark Hamill) Vader is unrelenting in his pursuit. Urged on by the knowledge that Skywalker represents a shift in the balance of the Force, Vader vows to either destroy the boy or turn him to the Dark Side to benefit himself and the Emperor.
Meanwhile Luke himself has grown up, if only slightly, since his accomplishments in the first film. More aware of his uncanny power, Luke feels the Force now but cannot control its impulses. His talent is raw and under the advise of the apparition of Obi Wan Kenobi (Alec Guiness), Luke is instructed to learn from Yoda, a great Jedi Master on the planet of Degobah.
As the Empire invades Hoth we are treated to an impressive ground battle. Making use of the wads of money available to him at the time, Lucas and director Irvin Kershner commit to a great deal of stop motion camerawork, with the AT-AT walkers and Snowspeeders in combat. Even today, 22 years since "Empire" was released, it still impresses. We also witness the first sparks of romance between Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher). Their character development in this film outweighs their contribution in the sequel "Return of the Jedi", but it works perfectly here.
The Empire is presented as a powerful but incompetent and bickering military machine, with officers destroyed at Vader's whim. Impatient and lacking any tolerance whatsoever, Vader is infuriated at the inability of his highest ranking officers. The Empire seems to fulfill the notion of trying to crack a walnut with a steamroller: powerful but ineffective.
The film's dark and eerie tone takes off when Luke arrives on Degobah. A huge swamp of animal, plant and supernatural life, Degobah is an embodiment of the Force. After crashlanding his X Wing Fighter, Luke wishes to locate Yoda. Impatient and complaining, Luke is shocked to find a small creature who he originally dismisses as a pest actually IS Yoda. Mindful of Luke's age and impatience, Yoda is reluctant to train him. Obi Wan Kenobi's spirit urges Yoda to try. He agrees and Luke's training begins. Luke is tested beyond his mental and spiritual beliefs under Yoda's guidance as he faces his ultimate fear and the possible confirmation of his dark beliefs.
The Yoda character (a puppet performed by Frank Oz), is at once cute and believable. His wisdom is beyond comprehension and his ability to conduct and feel the Force is illustrated brilliantly. Add in John Williams' "Yoda's Theme" and you have the makings of one of the more memorable of all characters in the saga.
Aware of his abilities to see the past and the future, Luke envisions the possible death of Han and Leia as they are double-crossed after seeking asylum. Torn between finishing his training and saving his friends, Luke leaves Degobah to save them. Little does he know their suffering is nothing more than a trap set by Darth Vader on the Cloud City of Bespin.
Luring him in, Vader challenges Luke. Fans of the original lightsabre duel between Obi Wan Kenobi and Darth Vader will get blown away here. The battle still remains the best of all duels in the saga, with the ultra powerful Vader manipulating the young but strong Luke. Set in the dark hues of black, blue and grey their lightsabre fight and its subsequent shock conclusion make "Empire" truly memorable.
The film's ending is left wide open and ready for "Return of the Jedi" as the viewer leaves the film uncertain but eager for more. The special effects and set and costume design remains superb and the floating menace of the Empire's Starfleet is more awe inspiring and terrifying than the original's Death Star. The dark tone of this film is replaced by a warmer feel in ROTJ, but it is the power and dramatic tension that makes this film the best of the "Star Wars" saga so far.