What I've always enjoyed about this film is that, once you get past all the slapstick and Jewish American Princess jokes, you find the story of a sheltered young woman seeking her identity and independence. Judy Benjamin has been raised in a very coddled existence, believing she can do nothing, and that her only value is to be someone's wife, or attached to a person in some way. When her husband dies on her wedding night, she foolishly joins the army, where her inability is played for laughs. But this is not what the film is really about, in the long run. When her parents come to retrieve her, Barbara Barrie as Judy's mom is literally holding the pen, showing Judy where to sign. To me, this scene is very believable. It's as if Judy finally realizes that she has set herself up to fail. She decides to stay and proves that she can do a good job, she just believed she couldn't.
Perhaps my perspective is different because I saw this film first in 1980 when I was 18 years old, but I still enjoy it to this day. I can overlook the portions that are not very PC by today's standards. It was, after all, a different world then. I find Goldie Hawn's performance to have great comic timing and believability. Eileen Brennan is memorable in her role, even though it is a bit stereotypical by today's standards. Barbara Barrie and Sam Wanamaker are hilarious as Judy's parents, and Robert Webber is unforgettable as Col. Clay Thornbush. I will always enjoy this film, perhaps always from a different viewpoint.
Perhaps my perspective is different because I saw this film first in 1980 when I was 18 years old, but I still enjoy it to this day. I can overlook the portions that are not very PC by today's standards. It was, after all, a different world then. I find Goldie Hawn's performance to have great comic timing and believability. Eileen Brennan is memorable in her role, even though it is a bit stereotypical by today's standards. Barbara Barrie and Sam Wanamaker are hilarious as Judy's parents, and Robert Webber is unforgettable as Col. Clay Thornbush. I will always enjoy this film, perhaps always from a different viewpoint.