It has long been fashionable in critical circles to bash the films of Liliana Cavani. Her films tend to show sleazy low life characters---------even when they live in palatial mansions. Her controversial NIGHT PORTER was unjustly accused of being deplorable, and insult to the intelligence of the average moviegoer, an offense to Jews and women, and generally condemned by everyone of cinematic importance. For me, she is the modern purveyor of film noir at it's darkest.
THE BERLIN AFFAIR tells the story of Mitsuko, daughter of the Japanese ambassador to Germany during the Nazi era. She is publicly quiet and demure, but in private, flamboyantly bisexual and seduces the wife of a high Nazi official-------and eventually the husband himself. This leads to a rather unusual ménage a trois with each member of the triangle becoming more and more jealous of the others. Eventually, this self-destructive relationship becomes harder and harder to resist in spite of the personal dangers to the individuals and their respective families and political causes.
It would be easy to dismiss this film as another sleazy sex opera from Cavani. But a great deal is going on in this film---------politically, sexually, socially, racially and artistically. There is a definite message for those willing to see it-------and it would be more fun for each viewer to find it for himself. Ignore Leonard Maltin's opinion and decide for yourself.
THE BERLIN AFFAIR tells the story of Mitsuko, daughter of the Japanese ambassador to Germany during the Nazi era. She is publicly quiet and demure, but in private, flamboyantly bisexual and seduces the wife of a high Nazi official-------and eventually the husband himself. This leads to a rather unusual ménage a trois with each member of the triangle becoming more and more jealous of the others. Eventually, this self-destructive relationship becomes harder and harder to resist in spite of the personal dangers to the individuals and their respective families and political causes.
It would be easy to dismiss this film as another sleazy sex opera from Cavani. But a great deal is going on in this film---------politically, sexually, socially, racially and artistically. There is a definite message for those willing to see it-------and it would be more fun for each viewer to find it for himself. Ignore Leonard Maltin's opinion and decide for yourself.