A disservice to the play . . . and all humankind.
4 May 2004
Comedy is hard. BEYOND THERAPY is, arguably, Christopher Durang's best play and Robert Altman's worst film. The casting of the film is not terrible -- on paper. But almost every other aspect of the film -- the direction, the look, the sound -- is wrong-headed, -hearted, and every other relevant organ-ed. Still, going on the principle that an artist should be judged by his best work, not his worst, enough about Altman. Even Homer nodded and I don't mean Homer Simpson, but, come to think of it --. Durang's comedy remains incisive and hilarious. From the perspective of 2004 it seems so embedded in its era that it effortlessly transcends its time -- like Restoration Comedy on a good night. This is nigh-on-impossible to see in the film, but it is happily evident in an audio recording made in 2002, featuring a splendid cast of gen-u-ine comic actors, headed by Catherine O'Hara, David Hyde Pierce, Kate MacGregor, and Richard Kind. It's "pure '80s." It's the "me decade" pressed down and flowing over. The peculiar idiocies of idiotic therapists are skewered on Durang's pen as are personal ads, grotesque drama (Eck! Eck! EQUUS!), let-it-all-hang-out personal interaction, and wildly "inappropriate" therapist/patient relationships. It is laugh-out-loud wonderful on CD and may serve to comfort the Durang and Altman fans who are justifiably horrified at the film.
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