People sure love this movie. I have a friend who says that it's good because of the ear-slicing scene; most directors would cut away from such violence entirely, but here, we get to see the aftermath of a maiming. Well yeah, "Reservoir Dogs" does push the envelope - but towards what? Should we really praise a movie just because it wallows in violence more willingly than its predecessors?
My ex-girlfriend says this is a Greek tragedy. If that were true, the violence would be entirely justified, because it would help elevate "Reservior Dogs" to the level of an enlightening commentary on human nature. Alas, none of the characters is particularly noble; they start off as low-lifes and have nowhere to fall. So, that defense doesn't seem to work either.
In short, people have long tried to convince me that this is really a masterpiece. But even the best parts - such as the opening dialogue in the restaurant - seem artificial and engineered. Tarantino is ripping off older, better films and directors wholesale. There are shades of "The Taking of Pelham 123" here, and there's also a dash of "The Omen" at the end. Hitchcock, Frankenheimer, and even John Carpenter did this kind of stuff before, and they did it better. No doubt Tarantino was a breath of fresh air after the shallow era of 1980s action movies, but he was not much of an innovator, and I don't think that his super-cool style has stood even the shortest test of time; he has, after all, practically dropped off the face of the earth.
My ex-girlfriend says this is a Greek tragedy. If that were true, the violence would be entirely justified, because it would help elevate "Reservior Dogs" to the level of an enlightening commentary on human nature. Alas, none of the characters is particularly noble; they start off as low-lifes and have nowhere to fall. So, that defense doesn't seem to work either.
In short, people have long tried to convince me that this is really a masterpiece. But even the best parts - such as the opening dialogue in the restaurant - seem artificial and engineered. Tarantino is ripping off older, better films and directors wholesale. There are shades of "The Taking of Pelham 123" here, and there's also a dash of "The Omen" at the end. Hitchcock, Frankenheimer, and even John Carpenter did this kind of stuff before, and they did it better. No doubt Tarantino was a breath of fresh air after the shallow era of 1980s action movies, but he was not much of an innovator, and I don't think that his super-cool style has stood even the shortest test of time; he has, after all, practically dropped off the face of the earth.