Review of Ronin

Ronin (1998)
Lightweight but engaging actioner
27 January 2002
Well paced, atmospheric thriller is basically a travelogue through a fantasy France of grimy bars and cobblestoned streets, where shifty-eyed hard cases in dark clothing concoct devious plots over cigarettes and espresso, race around rain-swept night streets in high-powered sedans, and exchange automatic weapons fire with minimal police interference.

The slender plot concerns a mysterious band of international hired guns brought together by a mysterious mastermind to steal a mysterious package from a collection of mysterious gangsters; as in all such stories, gunplay and double-crosses ensue as the bodies of various shady characters (and a few unfortunate members of the public) pile up. All too routine, and more than a tad silly, but the film is mostly saved from self-parody by the excellent cast (standouts include Robert de Niro, Natascha McElhone and the always-wonderful Jean Reno), beautiful, fluid location camerawork, and superb stunt sequences, all under the veteran direction of John Frankenheimer.

Like spiritual cousins "Bullitt" and "The French Connection", "Ronin" features gritty, realistic settings, handsome actors exuding an air of rumpled coolness, attention to procedural detail and the insertion of a cracking good car chase whenever the action threatens to flag. Of the latter, special mention should be made of the spectacular centerpiece chase, in which the streets of Paris end up littered with wreckage as competing parties in a BMW and Peugeot chase each other down sidewalks, through tunnels and finally, the wrong way down a traffic-choked highway. In the end, it's all just another Hollywood entertainment, but afficiandos of the crime thriller will find it a fun ride.
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