This film deals with the same 1st Amendment rights issues as THE PEOPLE VS. LARRY FLYNT. It presents the case of the Cincinnati art museum that displayed the photography of Robert Mapplethorpe. Intercut with the action of the film are comments from both the political right and left, including Mapplethorpe himself.
The song "Banned in the USA," a "Born in the USA" parody dealing with censorship, sums up the point -- that if some people protest against what other people want, that's fine, but if the protestors try to impose their own will through misapplication of law, that is not only censorship but also the first step towards dictatorship hiding under the guise of benevolent morality.
The cast is strong, especially James Woods as the museum director. The plot meanders back and forth in time, giving us background and consequences woven together into an intriguing story. The issues raised are important, and the dramatic presentation of these issues makes the film worthwhile.
The song "Banned in the USA," a "Born in the USA" parody dealing with censorship, sums up the point -- that if some people protest against what other people want, that's fine, but if the protestors try to impose their own will through misapplication of law, that is not only censorship but also the first step towards dictatorship hiding under the guise of benevolent morality.
The cast is strong, especially James Woods as the museum director. The plot meanders back and forth in time, giving us background and consequences woven together into an intriguing story. The issues raised are important, and the dramatic presentation of these issues makes the film worthwhile.