Let me state first of all that I liked this film. It revolves around a female PI who is investigating the disappearance of young student poet who is later found murdered. She becomes involved in an affair with the student's teacher who may or may not be involved in the murder. It flows quite well maybe abit slowly for some but to me this is the right pace. The movie is delineated into sections much like a poem and in some ways the lead (admirably played by Susie Porter) seems to float through this world of poetry readings, steamy love trysts and threatening phone calls a player yet somehow disassociated from it all.
There were however some things that annoyed me a little about the whole film and while they didnt spoil it for me they nevertheless grated on me. Susie Porters character though solidly played nevertheless did not ring true to me. She is meant to be a working class ex-cop familar with the mean streets of Western Sydney now navigating her way through this bunch of artsy intellectual types. She didnt quite ring true to me - she almost seemed part of that crowd herself - her outsider status wasnt obvious to this viewer.
I found the some of the use of nudity and sexual profanity abit try hard. What I mean by this is that it was almost abit forced.To me It looked as though it was saying look how comfortable we are in showing nudity etc,I suspect it was almost there to spice things up rather than being integral to the plot (to be fair a pretty hard line to draw on many occasions).I also found the whole characterisation of the murdered girl and her parents abit annoying. The parents are cardboard carictures of what inner city intellectuals view the suburbanites (with money) as -dull boring and clueless , & the murdered girl is portrayed as some spoilt little brat from the leafy suburbs on a parent subsidised rebellion - another cliche. I find this more than a little ironic as the subject matter of this film is likely to draw an audience (in Australia anyway) that is largely the arthouse end of the market (ie monied and educated) Anyway these points though somewhat annoying to this viewer really are only minor distractions.Overall the film is worth seeing.
There were however some things that annoyed me a little about the whole film and while they didnt spoil it for me they nevertheless grated on me. Susie Porters character though solidly played nevertheless did not ring true to me. She is meant to be a working class ex-cop familar with the mean streets of Western Sydney now navigating her way through this bunch of artsy intellectual types. She didnt quite ring true to me - she almost seemed part of that crowd herself - her outsider status wasnt obvious to this viewer.
I found the some of the use of nudity and sexual profanity abit try hard. What I mean by this is that it was almost abit forced.To me It looked as though it was saying look how comfortable we are in showing nudity etc,I suspect it was almost there to spice things up rather than being integral to the plot (to be fair a pretty hard line to draw on many occasions).I also found the whole characterisation of the murdered girl and her parents abit annoying. The parents are cardboard carictures of what inner city intellectuals view the suburbanites (with money) as -dull boring and clueless , & the murdered girl is portrayed as some spoilt little brat from the leafy suburbs on a parent subsidised rebellion - another cliche. I find this more than a little ironic as the subject matter of this film is likely to draw an audience (in Australia anyway) that is largely the arthouse end of the market (ie monied and educated) Anyway these points though somewhat annoying to this viewer really are only minor distractions.Overall the film is worth seeing.