8/10
Great director doing what he does best
8 March 2003
Although his ventures into sci-fi in recent years turned up interesting results, Steven Spielberg has in this movie returned to more conventional story telling and the end product is a mouth watering feast of cinematic thrills. The film is based on the true life story of Frank Abignale Jr. (Leonardo DiCaprio), a teenage con artist and fraudster who becomes the youngest ever person to wind up on the FBIs most wanted list. Having seen his parents seemingly perfect marriage crumble following his father's troubles with the IRS, DiCaprio enters a self destructive fantasy world when he turns his attention to forging cheques and impersonating airline pilots. Soon the Feds become aware of his illegal activities and Agent Carl Hanratty (Tom Hanks) picks up the scent.

In an effortless two hours and twenty minutes, Spielberg uses his considerable talents to weave an atmospheric and exciting tale of cat and mouse as DiCaprio always remains just one step ahead of the determined FBI agent pursuing him. Slowly the noose tightens around DiCaprio's neck, but not before he has a chance to defraud millions of dollars and successfully trick his way into a variety of jobs he was unqualified to do. As his increasingly sophisticated exploits land him in greater trouble, he finds himself further and further removed from reality and he is left with no one to trust and no where to go but to keep on running. With meaningful relationships destined to end in tears, he develops a deep rapport with the only person who has any understanding of him – his pursuer Tom Hanks.

‘Catch Me if you Can' confirms yet again that Spielberg has no peer when it comes to making purposeful popcorn entertainment. He can thrill and audience without ever sacrificing the twin pillars of strong scripting and good acting. DiCaprio excels as the charming con man, while Hanks' measured performance as the dogged FBI agent is an effortless turn that once again reconfirms his status as one of Hollywood's most capable leading men. In the midst of the battle of the big names, special mention must go to the great Christopher Walken as DiCaprio's father who steals every scene from the big boys. An exuberant jazz score from John Williams and a sumptuous production design that captures all the design flair of the period adds icing to this most enticing of cinematic cakes.
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