Finding Nemo is, quite simply, brilliant. Computer animation has come on in leaps and bounds since the days of Toy Story (1995) and Finding Nemo stunningly attests to this. From the vibrantly coloured and gently undulating coral on the reef, to the murky depths of Sydney harbour, to the clever use of reflection and refraction off the fish tank, this is a film in which the constantly changing scenery is a large part of its attraction. The original and well-judged score enhances the viewer's sense of wonder and their empathy with the characters.
But computer wizardry alone cannot create a great film. Finding Nemo is also blessed with an action-packed story and lots of laughs (largely courtesy of Dory - a well-meaning blue tang fish with short-term memory loss). Nemo is a young clown fish, eager to test his boundaries, who is caught by a diver and taken to an aquarium in Sydney. Whilst there, he makes friends with a motley collection of aquatic creatures who help him plot his escape. Meanwhile, his over-protective father, Marlin, begins a frantic quest to find his son. Along the way he is helped and hindered by three new-age sharks, some bodacious-dude turtles, a whale, and a monstrous angler fish (amongst others).
And yes, the ending may be a little mushy, but after such an epic adventure, the viewer will find the sentimentality relatively easy to stomach. Indeed, the character development is surprisingly deep for a children's movie, and it's a nice change to have not every character being entirely good or bad. Parents in the audience will certainly identify with Marlin's dilemma of wanting to protect his child, and yet coming to realise that the time comes when one has to let go a little.
But computer wizardry alone cannot create a great film. Finding Nemo is also blessed with an action-packed story and lots of laughs (largely courtesy of Dory - a well-meaning blue tang fish with short-term memory loss). Nemo is a young clown fish, eager to test his boundaries, who is caught by a diver and taken to an aquarium in Sydney. Whilst there, he makes friends with a motley collection of aquatic creatures who help him plot his escape. Meanwhile, his over-protective father, Marlin, begins a frantic quest to find his son. Along the way he is helped and hindered by three new-age sharks, some bodacious-dude turtles, a whale, and a monstrous angler fish (amongst others).
And yes, the ending may be a little mushy, but after such an epic adventure, the viewer will find the sentimentality relatively easy to stomach. Indeed, the character development is surprisingly deep for a children's movie, and it's a nice change to have not every character being entirely good or bad. Parents in the audience will certainly identify with Marlin's dilemma of wanting to protect his child, and yet coming to realise that the time comes when one has to let go a little.