Sleek, fast, unpredictable: Rebecca Romijn-Stamos or the movie itself? Both! The Mission Impossible-like opening sequence at the Cannes Film Festival gives way to a double-crossing, back-stabbing story that moves to Paris. None of the themes here is new, but we've never seen it quite like this before. Romijn-Stamos is excellent (even her fake French accent is pretty believable) and Antonio Banderas holds his own. A highly entertaining film that falls during a dry few months in French movie theaters.
Review of Femme Fatale
