Steve Coogan has arguably been the funniest man on British television in recent years. His rise from Spitting Image voice and impressionist to the inventor of classic character comedies involving Alan Partridge, Paul and Pauline Calf and the like has been unrivalled, taking in tv shows like The Day Today and long runs in West End theatre.
Surely transposing this impressive track record to the big screen would prove no difficulty at all? Well, it does. Perhaps it is judging this film in light of Coogan's previous output, but I was expecting more frequent laughs and more outright comedy, rather than falling into the typical English track of delivering a gentle, amusing tale that is charming but ultimately forgettable.
The plot, involving Coogan's failed parole officer who witnesses a murder and is subsequently framed by a corrupt police officer, is all well and good. There are several comic moments, including the now infamous rollercoaster scene.
Somehow however the characters are not strong enough (Coogan himself is most guilty here) and the laughs insufficiently hearty. I expect the appeal of the film will be limited outside of the UK.
Surely transposing this impressive track record to the big screen would prove no difficulty at all? Well, it does. Perhaps it is judging this film in light of Coogan's previous output, but I was expecting more frequent laughs and more outright comedy, rather than falling into the typical English track of delivering a gentle, amusing tale that is charming but ultimately forgettable.
The plot, involving Coogan's failed parole officer who witnesses a murder and is subsequently framed by a corrupt police officer, is all well and good. There are several comic moments, including the now infamous rollercoaster scene.
Somehow however the characters are not strong enough (Coogan himself is most guilty here) and the laughs insufficiently hearty. I expect the appeal of the film will be limited outside of the UK.