The cinematography is very nice, with vivid shots of Venice and the french countryside, and the characters have the potential to be quite interesting. But the characters are about 80% developed to the point where we'd really care about them, and the whole thing doesn't tie together very well. Plus the pace is maddeningly slow. Message to the director: We get the point! It's hard for me to hate this film, but I can't rave about it either.
Review of Monday Morning
