A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.