Takashi Miike never disappoints. His latest film to the Toronto Film Festival is ZEBRAMAN, a story about a father (Shinichi) who no longer has a family, or a life. His wife is having an affair, his daughter is a slut (no wonder, she's cute as hell), and his son is bullied at the school where he teaches. Even the other students think he is a geek. Shinichi spends all of his free time fantasizing about a show he watched as a kid called Zebraman, that was cancelled after only a few episodes due to low ratings. He even goes as far as to make his own Zebraman costume, and that's when the fun truly begins.
As the Earth is invaded by aliens (what did you expect) Shinichi is called into action as Zebraman and he transforms from mild mannered teacher to Earth's last hope. Think PowerRangers but with odd and hilarious dialogue ("Don't stand ... behind me."). But first he spends some much needed time in front of a mirror practicing his shouts ("Black and White Ecstacy!"), costume spliting poses, and signature attacks like the "Zebra Double Back Kick". I admit I was sold as soon as he beat the crap out of a guy wearing a giant crab mask on his head. I laughed the hardest at the introduction of ZebraNurse, though.
This is a different kind of film than what you'd expect from Miike. The characters are warm and lovable, and no one gets injured (with the exception of an easily re-grown arm, "Thanks ... ZebraNurse!"). Which shows the kind of range this cult director has. My only regret was that Takashi Miike wasn't present to witness a world class response to this outrageously funny film. (9/10)
As the Earth is invaded by aliens (what did you expect) Shinichi is called into action as Zebraman and he transforms from mild mannered teacher to Earth's last hope. Think PowerRangers but with odd and hilarious dialogue ("Don't stand ... behind me."). But first he spends some much needed time in front of a mirror practicing his shouts ("Black and White Ecstacy!"), costume spliting poses, and signature attacks like the "Zebra Double Back Kick". I admit I was sold as soon as he beat the crap out of a guy wearing a giant crab mask on his head. I laughed the hardest at the introduction of ZebraNurse, though.
This is a different kind of film than what you'd expect from Miike. The characters are warm and lovable, and no one gets injured (with the exception of an easily re-grown arm, "Thanks ... ZebraNurse!"). Which shows the kind of range this cult director has. My only regret was that Takashi Miike wasn't present to witness a world class response to this outrageously funny film. (9/10)