Fred Allen was--with the possible exception of his "rival" Jack Benny--the biggest star in the history of radio. He was Letterman to Benny's Leno--an acerbic smartaleck who practically invented topical humor/current political events satire. While he had numerous small film roles and cameos (and later starred in TV's "What's My Line?"), "It's In The Bag" was Fred Allen's only starring role in a motion picture, and it was a good one.
The plot--Allen gaining, then losing, then frantically trying to recover an inheritance hidden inside one or more mystery chairs--is just a skeleton on which to hang the movie's wry jokes, strange interludes and satirical jabs at Hollywood stars. A trainload of radio and film comedians appear in this movie, including Jack Benny (with whom Allen shared a longtime "feud" that was as successful--and as manufactured--as anything the World Wrestling federation ever produced). Author and bon vivant Robert Benchley makes a strong appearance here, and Richard Wallace's steady direction manages to keep up with the comic mayhem.
Allen's irreverent humor, wild tangents and complete disregard for film conventions (including the sacred fourth wall) inspired Mel Brooks, who, drawing from its source material, made a version of "It's In The Bag" as his second feature, "The Twelve Chairs"--although literary purists who love the original darkly satiric Russian novel by Ilf and Petrov, take note: you will likely hate both these movies with a fiery passion. Even faithful Russian screen adaptations of that extraordinary book have failed to capture its greatness, and "It's In The Bag" doesn't even try--it's merely a sardonically humorous sendup of 1940s Hollywood in general and Mr. Allen in particular. It's no intricate Russian literary classic, but if you love vintage Hollywood comedies with an edge, you won't be disappointed.
The plot--Allen gaining, then losing, then frantically trying to recover an inheritance hidden inside one or more mystery chairs--is just a skeleton on which to hang the movie's wry jokes, strange interludes and satirical jabs at Hollywood stars. A trainload of radio and film comedians appear in this movie, including Jack Benny (with whom Allen shared a longtime "feud" that was as successful--and as manufactured--as anything the World Wrestling federation ever produced). Author and bon vivant Robert Benchley makes a strong appearance here, and Richard Wallace's steady direction manages to keep up with the comic mayhem.
Allen's irreverent humor, wild tangents and complete disregard for film conventions (including the sacred fourth wall) inspired Mel Brooks, who, drawing from its source material, made a version of "It's In The Bag" as his second feature, "The Twelve Chairs"--although literary purists who love the original darkly satiric Russian novel by Ilf and Petrov, take note: you will likely hate both these movies with a fiery passion. Even faithful Russian screen adaptations of that extraordinary book have failed to capture its greatness, and "It's In The Bag" doesn't even try--it's merely a sardonically humorous sendup of 1940s Hollywood in general and Mr. Allen in particular. It's no intricate Russian literary classic, but if you love vintage Hollywood comedies with an edge, you won't be disappointed.