I expect that Criterion films are of certain importance. They are films that have something unique to offer. Even Armageddon deserves a certain amount of recognition. It documents the way that blockbusters are going nowadays.
I can honestly say that I think I understand the importance of Diabolique. The film was most likely incredibly innovative for the time period. I am impressed that the only shots that felt dated were the head-on driving shots, and aside from those, the direction is entirely appropriate. It does not call attention to itself, it has grace, and it is not feel like it has been copied since. The script is tightly written, no lines are wasted.
On a personal level, I felt a little disappointed. I figured out the ending very quickly. My father, who would have been 16 when this was released, had no idea the ending was coming at all. The originality of this ending has been sacked by modern thrillers, horrors, and dramas. Regardless of deciphering the ending, this is still worth watching, even for historical purposes.
I can honestly say that I think I understand the importance of Diabolique. The film was most likely incredibly innovative for the time period. I am impressed that the only shots that felt dated were the head-on driving shots, and aside from those, the direction is entirely appropriate. It does not call attention to itself, it has grace, and it is not feel like it has been copied since. The script is tightly written, no lines are wasted.
On a personal level, I felt a little disappointed. I figured out the ending very quickly. My father, who would have been 16 when this was released, had no idea the ending was coming at all. The originality of this ending has been sacked by modern thrillers, horrors, and dramas. Regardless of deciphering the ending, this is still worth watching, even for historical purposes.