Taylor Hackford's film "Ray" is a biopic about singer Ray Charles, a man who, despite becoming blind at a young age, ends up with a very illustrious career that made him a legend. The film centers around his film career, but also touches on his bouts of drug abuse, his many acts of infidelity and some of his psychological inner demons.
Jamie Foxx did an excellent job as Ray Charles. Frankly, (and this is my own fault because I'm a freak for award shows since I don't watch soaps or the OC I'm allowed that guilty pleasure) I was so sick of Jamie Foxx's lack of humility and grandstanding while accepting his many acting awards that I was really curious to see how deserving he is of the accolades he has received. It very quickly became obvious that the reviews of his performance and applause he has been receiving was warranted. It has been said so much about Foxx that it is almost cliché at this point, but he really did "become" Ray Charles. His mannerisms, speaking voice and even his physical presence were simply astounding. Frankly, I feel like Kerry Washington (who played his long-suffering wife Della) and/or Regina King (Margie, one of Charles' many affairs) were also overlooked for a nod. They both gave very compelling performances that are deserving of recognition.
Having said all of that, it's too bad that the rest of the film could not have been as good as the actors in it. Hackford's direction was okay, but it wasn't anything great over even all that good. Even as an admirer of Charles' music, I still felt like this was a big love fest. True, the subject of his addiction and womanizing was addressed, but it wasn't remotely compelling. Charles was a damaged man, and a real son-of-a-bitch sometimes, but I really thought this was glossed over in favor of more positive aspects of his life. The music featured was predictably excellent, but a scene that featured the inception of one of my personal favorite Charles songs ("Hit the Road, Jack") turned into one of the several corny moments of the film. Personally, I thought the film was mediocre at best, but since it is being hailed as a great film by so many, and because it is up for a Best Picture nomination, etc., I have to say that I really feel it doesn't deserve all of the accolades it has received. Perhaps reverence for Ray Charles is being factored into these glowingly positive reviews, but personally, when I separate my feelings for his music and the film, I feel the film really comes up short.
Of the 4 films I have now seen that are up for Best Picture at the Oscars, "Ray" is the only one so far that is not even deserving of the nomination. In a year where films like "Eternal Sunshine of the Spotless Mind" are being left out, there is no room for mediocrity, and "Ray" is nothing more than an average picture. If you want to see a good biopic about another music legend, check out "What's Love Got to Do With It." It's a lot better than this film. 5/10 --Shelly
Jamie Foxx did an excellent job as Ray Charles. Frankly, (and this is my own fault because I'm a freak for award shows since I don't watch soaps or the OC I'm allowed that guilty pleasure) I was so sick of Jamie Foxx's lack of humility and grandstanding while accepting his many acting awards that I was really curious to see how deserving he is of the accolades he has received. It very quickly became obvious that the reviews of his performance and applause he has been receiving was warranted. It has been said so much about Foxx that it is almost cliché at this point, but he really did "become" Ray Charles. His mannerisms, speaking voice and even his physical presence were simply astounding. Frankly, I feel like Kerry Washington (who played his long-suffering wife Della) and/or Regina King (Margie, one of Charles' many affairs) were also overlooked for a nod. They both gave very compelling performances that are deserving of recognition.
Having said all of that, it's too bad that the rest of the film could not have been as good as the actors in it. Hackford's direction was okay, but it wasn't anything great over even all that good. Even as an admirer of Charles' music, I still felt like this was a big love fest. True, the subject of his addiction and womanizing was addressed, but it wasn't remotely compelling. Charles was a damaged man, and a real son-of-a-bitch sometimes, but I really thought this was glossed over in favor of more positive aspects of his life. The music featured was predictably excellent, but a scene that featured the inception of one of my personal favorite Charles songs ("Hit the Road, Jack") turned into one of the several corny moments of the film. Personally, I thought the film was mediocre at best, but since it is being hailed as a great film by so many, and because it is up for a Best Picture nomination, etc., I have to say that I really feel it doesn't deserve all of the accolades it has received. Perhaps reverence for Ray Charles is being factored into these glowingly positive reviews, but personally, when I separate my feelings for his music and the film, I feel the film really comes up short.
Of the 4 films I have now seen that are up for Best Picture at the Oscars, "Ray" is the only one so far that is not even deserving of the nomination. In a year where films like "Eternal Sunshine of the Spotless Mind" are being left out, there is no room for mediocrity, and "Ray" is nothing more than an average picture. If you want to see a good biopic about another music legend, check out "What's Love Got to Do With It." It's a lot better than this film. 5/10 --Shelly