On board the Navy battleship USS Missouri, a group of terrorists use the rouse of a surprise party for the Captain as an opportunity to take control and start to load up the weapons specifically tomahawks with nuclear tips. Lead by a bitter rouge CIA agent William Stranix, the group put their plan into action while the military struggles to formulate a fast response. Meanwhile, lowly cook Casey Ryback is locked in the meat locker for disobeying an order by the Commander but manages to get out and have the run of the ship. Luckily for him, but unluckily for the terrorists, Ryback also happens to be a trained Navy SEAL, working as a cook to serve out his time, and he doesn't like his cooking being interrupted by anyone.
In the wake of Die Hard we were treated (and still are treated) to lots of reruns of the "one man against terrorists" scenario and this film was one of the better ones, also providing Steven Seagal with arguably his best film to date. Of course this is not too much of a recommendation given the poor standard of Seagal films and this derivative genre. However, for what it is, it moves pretty slickly and provides lots of men shooting and things going "boom" which, lets be honest, is all we're really here for. The plot can't compare to Die Hard because it doesn't share the link of the "common man" being the hero (if you can call John McClane a common man); instead Ryback is a trained killer and the plot quickly loses any vague touch with reality as his fight becomes more and more extreme. The action is still enjoyable though and, while it isn't a classic in the realms of Die Hard, it is still an enjoyable action film in an overdone genre.
In terms of acting, nobody could accuse Seagal of being "good" but at least here he was at the "height" of his powers in a vehicle that suited him but also had a budget and style to work as a mainstream product. His lack of emotional range shows as he kneels over the body of his dead captain and looks like a man who has just missed his bus annoyed but not THAT annoyed. However what he does do well is move and shoot both skills the film has lots of for him to do and physically he is impressive. Eleniak should serve as a warning of the fleeting nature of a-list stardom for those that rely on looks alone. At the time she was the face (?) of Baywatch and on many people's bedroom walls and she plays an "actress" who is using her breasts to make a living amazingly she plays it without a hint of irony. Looking back her dated haircut is hilarious and the fact that her breasts are the only thing that I can remember of her entire career to date is quite depressing. Jones and Busey can do crazy bad guys better than many people and they do it well here especially Jones, who appears to be enjoying himself immensely.
Overall this is an enjoyable action film as long as you know what you are getting into it is not great but it is certainly one of the more enjoyable Seagal films and does manage to be a good entry in the genre and it was no surprise to me that Seagal came back for me in a less successful but equally as silly and enjoyable sequel.
In the wake of Die Hard we were treated (and still are treated) to lots of reruns of the "one man against terrorists" scenario and this film was one of the better ones, also providing Steven Seagal with arguably his best film to date. Of course this is not too much of a recommendation given the poor standard of Seagal films and this derivative genre. However, for what it is, it moves pretty slickly and provides lots of men shooting and things going "boom" which, lets be honest, is all we're really here for. The plot can't compare to Die Hard because it doesn't share the link of the "common man" being the hero (if you can call John McClane a common man); instead Ryback is a trained killer and the plot quickly loses any vague touch with reality as his fight becomes more and more extreme. The action is still enjoyable though and, while it isn't a classic in the realms of Die Hard, it is still an enjoyable action film in an overdone genre.
In terms of acting, nobody could accuse Seagal of being "good" but at least here he was at the "height" of his powers in a vehicle that suited him but also had a budget and style to work as a mainstream product. His lack of emotional range shows as he kneels over the body of his dead captain and looks like a man who has just missed his bus annoyed but not THAT annoyed. However what he does do well is move and shoot both skills the film has lots of for him to do and physically he is impressive. Eleniak should serve as a warning of the fleeting nature of a-list stardom for those that rely on looks alone. At the time she was the face (?) of Baywatch and on many people's bedroom walls and she plays an "actress" who is using her breasts to make a living amazingly she plays it without a hint of irony. Looking back her dated haircut is hilarious and the fact that her breasts are the only thing that I can remember of her entire career to date is quite depressing. Jones and Busey can do crazy bad guys better than many people and they do it well here especially Jones, who appears to be enjoying himself immensely.
Overall this is an enjoyable action film as long as you know what you are getting into it is not great but it is certainly one of the more enjoyable Seagal films and does manage to be a good entry in the genre and it was no surprise to me that Seagal came back for me in a less successful but equally as silly and enjoyable sequel.