36 Hours is a beautifully made thriller about an American major captured by the Germans in World War II not long before D-Day, and who is drugged and made to age artificially, so that when he wakes up he thinks five years have passed, that the war is over, and that the Americans won. A fake military hospital was made to convince him that this is so, complete with fake newspapers, reporting on the activities of President Wallace, with references to the retired FDR vacationing happily in Warm Springs. The idea behind it all is to get the major to spill the beans about where the Allied troops were going to land in France (indeed, the major does know this, and the Germans know he knows). In this respect the movie is based pretty much on fact. The Germans knew that there was going to be an Allied invasion of the Continent, most likely in France,--but where? Most of the German high command expected the Allies to land in Calais, but they weren't sure. Everything hinged on outfoxing the Allies, so that the Germans would be prepared for what they knew was going to be a massive invasion. But back to the movie: a friendly-seeming doctor, excellently played by Rod Taylor, explains to his "patient", quite convincingly, how he came to "lose" five years of his life. The race is on to find out the truth, only at first the major doesn't know it. He believes what the doctor tells him; but the doctor has his problems, too, which is how to tactfully get the information he needs from his "patient" (actually his captive) without the major knowing it.
James Garner is fine as the major; so good in fact as to make me wonder why his movie career wasn't more successful. Eva Marie Saint is her usual dignified self as the "love interest", though I found her character, once the truth is revealed about her background, hard to believe. Taylor's doctor is much more interesting, but alas gets less screen time. His character is ambiguous; a German-American who has returned to his homeland, where he has managed to get funds to do research, and who is slowly but surely becoming disenchanted with his Nazi superiors. The movie works like a charm for its first roughly two thirds and then falls off somewhat near the end, for reasons I won't give away. Overall, though, this is a very satisfying and somewhat neglected film. Though it doesn't appear to be made on a big budget it's very good in recreating the wartime mood, and in this respect wonderfully retro. It probably seemed a bit old-fashioned when it came out, when James Bond was all the rage; but time has been kind to it, and it plays better today than many of the more hip, sexy movies of the Austin Powers sixties.
James Garner is fine as the major; so good in fact as to make me wonder why his movie career wasn't more successful. Eva Marie Saint is her usual dignified self as the "love interest", though I found her character, once the truth is revealed about her background, hard to believe. Taylor's doctor is much more interesting, but alas gets less screen time. His character is ambiguous; a German-American who has returned to his homeland, where he has managed to get funds to do research, and who is slowly but surely becoming disenchanted with his Nazi superiors. The movie works like a charm for its first roughly two thirds and then falls off somewhat near the end, for reasons I won't give away. Overall, though, this is a very satisfying and somewhat neglected film. Though it doesn't appear to be made on a big budget it's very good in recreating the wartime mood, and in this respect wonderfully retro. It probably seemed a bit old-fashioned when it came out, when James Bond was all the rage; but time has been kind to it, and it plays better today than many of the more hip, sexy movies of the Austin Powers sixties.