The spaghetti western is a hybrid creature in many ways. it mixes the great American legend by demystifying it with European pessimism. It plays the landscapes and its inhabitants as ambiguous vehicles of destiny and violence (the background often conveys the mood more than the characters, as the films of Corbucci and Leone demonstrate). And although Fistfull of Dollars is mean and lean, it remains a pale copy of Kuroswa's superior Yojimbo. Despite it's beautiful opera, Once upon a Time in the West is too elegant. despite its biting humor and epic scope, the Good, the Bad and the Ugly is too playful...
What we have here, is nothing less than the ultimate essence of the Spaghetti Western: irony, cruelty, tenderness, beauty, violence, larger than life characters... and chaos. the chaos is as present in the general mood as it is in Corbucci's wild and messy camera-work (from beautiful panoramas to crash zooms and close ups that accentuate the villains' ugliness).
The story is straight and simple but allows for great characters as the mute bounty hunter Silence (Trintignant, conveying impossible emotion with nothing but his haunting eyes) travels to a snowy town to bring down the killer of his client's husband and coincidentally fulfill a more personal vengeance. He is pitted against a range of pathetic and ugly villains, headed by a sleazy and psychotic Loco (Kinski, mesmerizing as the cruel but contained and playful killer).
All the while the nihilism and harshness of nature weigh over these characters as people freeze to death, a man drowns in a frozen lake and the survival of the fittest is demanded in a bloody fashion, leading to a devastating ending that seals this tight film together as a magnificently macabre opera of death. Unmissable.
What we have here, is nothing less than the ultimate essence of the Spaghetti Western: irony, cruelty, tenderness, beauty, violence, larger than life characters... and chaos. the chaos is as present in the general mood as it is in Corbucci's wild and messy camera-work (from beautiful panoramas to crash zooms and close ups that accentuate the villains' ugliness).
The story is straight and simple but allows for great characters as the mute bounty hunter Silence (Trintignant, conveying impossible emotion with nothing but his haunting eyes) travels to a snowy town to bring down the killer of his client's husband and coincidentally fulfill a more personal vengeance. He is pitted against a range of pathetic and ugly villains, headed by a sleazy and psychotic Loco (Kinski, mesmerizing as the cruel but contained and playful killer).
All the while the nihilism and harshness of nature weigh over these characters as people freeze to death, a man drowns in a frozen lake and the survival of the fittest is demanded in a bloody fashion, leading to a devastating ending that seals this tight film together as a magnificently macabre opera of death. Unmissable.