10/10
A 1940s "Upstairs Downstairs" for Anglo-American Wartime Friendship
7 June 2005
Warning: Spoilers
Most of the "British Colony" of Hollywood, and many American and Canadian born actors (Buster Keaton and Gene Lockwood, for instance) appeared in this 1943 gem which manages to transcend it's original purpose. Like most of Hollywood's wartime product, FOREVER AND A DAY was supposed to cement allied friendship and emotional bonding between the U.S. and the British. But the design of the story actually told of two families who intermingled and grew in the period from 1804 to 1943: from the battle of Trafalgar to the London Blitz. The concentration of the story was around an old house built by Admiral Trimble (Sir C. Aubrey Smith, in a superb characterization) when the area was countryside at the time of Napoleon and Nelson. Trimble and his son (Ray Milland) rescue a young woman from her sinister guardian, Mr. Pomfret (Claude Rains, of course), but make him a personal enemy. The young woman marries Milland, but he is killed at Trafalgar. After the death of Aubrey Smith, Rains manages to get possession of the house due to Smith's debts. He kicks out the young widow and her son, and moves in...only to find himself never at ease in the house. Eventually he is found to have fallen and hit his head on a marble decoration after attacking a portrait of the old admiral (the scene is handled brilliantly in the movie).

I won't go into the full film - it takes in 140 years of English (and by extension, world history) to tell how the Trimbles and Pomfrets keep confronting each other over the years. There are many wonderful performances, such as Charles Laughton as a tipsy butler, Cedric Hardwicke and Buster Keaton as plumbers installing a new invention - an indoor shower, and best Roland Young and Dame Gladys Cooper as wartime parents confronting heartbreak (made all the more unbearable by their understated approach). In the end you feel you have seen the story of a nation's spirit, invincible and principled like Admiral Trimble was at the start. This was one wartime propaganda film that turned out to be far beyond it's required propaganda values.
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