"Carousel", the musical, was presented on Broadway with great success. The transition to the screen, alas, doesn't fare that well. Having seen this film version a while ago, we decided to take a second look, but this time, in all honesty, it didn't have the same effect. Partly, it must be Henry King's take on the musical. Perhaps it this Rodgers and Hammerstein hasn't aged that well.
The problem, perhaps, seems to be in the music. We have heard variations of these Rodgers and Hammerstein's songs in other musicals. Take for instance, "You'll Never Walk Alone", doesn't it sound suspiciously like "Climb Every Mountain" from "The Sound of Music"? In both cases, they are heard from much older and wiser women, Cousin Nettie, in this one, or Mother Superior in the other. Also there are shades of "Some Enchanting Evening", from "South Pacific", while Louise is seen playing around at the beach while Billy is looking from heaven. Of course, we realize "Carousel" came before.
One wonders what change of events took Billy Bigelow to heaven? After all, he wasn't a model of righteousness, let alone his way of giving Julie a slap or two at times. If all indicates that he was admitted through the Pearly Gates of heaven, then, there's a chance for most of us, or so, it seems to be the case.
Gordon McRae was more of a singer than an actor, and it sadly shows in this film. The lovely Shirley Jones, at the prime of her youth, fares much better because she could not only sing, but she was a notable actress of this genre and comedy. For some reason, the chemistry that might have existed between them in "Oklahoma", is not shown here. Cameron Mitchell, Gene Lockhart, Claramae Turner, Susan Luckey, among others do good supporting jobs in the film.
The choreography of Agnes de Mille is only seen in all its splendor in "June is busting out all over" and in the Carousel ballet, somehow abridged, and featuring Jacques D'Amboise with Louis Luckey in one of the best moments of the musical.
The problem, perhaps, seems to be in the music. We have heard variations of these Rodgers and Hammerstein's songs in other musicals. Take for instance, "You'll Never Walk Alone", doesn't it sound suspiciously like "Climb Every Mountain" from "The Sound of Music"? In both cases, they are heard from much older and wiser women, Cousin Nettie, in this one, or Mother Superior in the other. Also there are shades of "Some Enchanting Evening", from "South Pacific", while Louise is seen playing around at the beach while Billy is looking from heaven. Of course, we realize "Carousel" came before.
One wonders what change of events took Billy Bigelow to heaven? After all, he wasn't a model of righteousness, let alone his way of giving Julie a slap or two at times. If all indicates that he was admitted through the Pearly Gates of heaven, then, there's a chance for most of us, or so, it seems to be the case.
Gordon McRae was more of a singer than an actor, and it sadly shows in this film. The lovely Shirley Jones, at the prime of her youth, fares much better because she could not only sing, but she was a notable actress of this genre and comedy. For some reason, the chemistry that might have existed between them in "Oklahoma", is not shown here. Cameron Mitchell, Gene Lockhart, Claramae Turner, Susan Luckey, among others do good supporting jobs in the film.
The choreography of Agnes de Mille is only seen in all its splendor in "June is busting out all over" and in the Carousel ballet, somehow abridged, and featuring Jacques D'Amboise with Louis Luckey in one of the best moments of the musical.