Tom Merriam takes a job as the Third Officer on the cargo ship The Altair. Despite a strange interaction with a blind man in port, things look good for Tom as the ship appears good and the Captain is amiable enough. Finding that his bed is still a mess from when the last Third died there is a little disturbing but he gets past it and begins to work. When the Captain puts lives at risk rather than be seen to have his authority questioned by Merriam, Tom starts to worry that the Captain is living within his own head too much a worry reinforced when more men and put at risk and deaths are caused; but how can he change things? Apparently commissioned because RKO had an expensive ship set knocking around that they wanted to get more use out of, this film is surprisingly enjoyable and works because it tries to shun melodrama and be something much more interesting. This is not to say it totally does this, because it doesn't, but it does have plenty of good things about it. The story is fairly standard in appearance but the Captain's "madness" is convincing and realistic he is not a gibbering loon but rather a man who appears to have lost touch with reality thanks to a lonely and sad life to date. Within this story the script develops the characters well so that they rise above being the stock figures of b-movie fare. With a low key story, the production still really goes for it on atmosphere and produces an air of foreboding and menace that is present from the very start. Shadows are well used, fog drifts over the decks and the music is constantly moving darkly in the background menacing without ever being overused or overbearing.
The cast do very well with this product. Wade was surprisingly good in the lead and it made me wonder why I have never knowingly seen him in anything else. He was a pretty regular guy and came off natural rather than being the square-jawed hero that is often the norm. He plays second fiddle to Dix though, who sets up a strangely friendly character who convincingly moves into a sort of madness that is convincing. He avoids being a monster and naturally questions himself while also producing a character that we feel for Dix is not just a "baddie" to Wade's "goodie". Barrett is so-so but the film didn't need her and her scene slows the film by taking it off the ship albeit briefly. Support is good from Glover, Overall an enjoyable film that produces the goods on many levels and is much better than I thought it was going to be. The plot seems simple but the writing respect the audience and makes the story more interesting than the usual goodie/baddie fare. The atmospheric and tense production only helps to produce a punchy, mysterious film that is well worth seeing even if the ending needed to be a bit stronger and darker but this is a minor flaw.
The cast do very well with this product. Wade was surprisingly good in the lead and it made me wonder why I have never knowingly seen him in anything else. He was a pretty regular guy and came off natural rather than being the square-jawed hero that is often the norm. He plays second fiddle to Dix though, who sets up a strangely friendly character who convincingly moves into a sort of madness that is convincing. He avoids being a monster and naturally questions himself while also producing a character that we feel for Dix is not just a "baddie" to Wade's "goodie". Barrett is so-so but the film didn't need her and her scene slows the film by taking it off the ship albeit briefly. Support is good from Glover, Overall an enjoyable film that produces the goods on many levels and is much better than I thought it was going to be. The plot seems simple but the writing respect the audience and makes the story more interesting than the usual goodie/baddie fare. The atmospheric and tense production only helps to produce a punchy, mysterious film that is well worth seeing even if the ending needed to be a bit stronger and darker but this is a minor flaw.