This film noir has three distinct movements. Brian Donlevy proves masterful at playing a high-powered executive, self-satisfied and in control. As in any good drama, his secure world is assaulted and turned upside down The film portrays his characters descent, loss of faith and subsequent redemption. Donlevy handles each of the stages well.
Helen Walker is brilliant as Donlevy's wife. Her ability to portray a duplicitous and homicidal spouse is immaculate in it's delivery.
I found great pleasure in watching the legal machinations and the ambivalence of the justice system.
More then anything, and I've commented on this in other film noir reviews, I enjoyed the street scenes of San Francisco a half century ago. Sometimes I think I'd be just as happy to forgo plot in favor of travelogue Also, Larkspur (whether it is in California or Idaho,) just seems like a fine little town the likes of which we now pine for. The volunteer fire department scene was reflective of my sense of small town values.
All in all, an absorbing,nostalgic and thought provoking piece of film art.
Helen Walker is brilliant as Donlevy's wife. Her ability to portray a duplicitous and homicidal spouse is immaculate in it's delivery.
I found great pleasure in watching the legal machinations and the ambivalence of the justice system.
More then anything, and I've commented on this in other film noir reviews, I enjoyed the street scenes of San Francisco a half century ago. Sometimes I think I'd be just as happy to forgo plot in favor of travelogue Also, Larkspur (whether it is in California or Idaho,) just seems like a fine little town the likes of which we now pine for. The volunteer fire department scene was reflective of my sense of small town values.
All in all, an absorbing,nostalgic and thought provoking piece of film art.