I lived in London in 1973, the year that the main character in the film arrives in London from Ireland.
Breakfast On Pluto caught the tone of London in 1973 so well that it was like re-living the past. A past when friendships were mighty and strong; a past when London was a sexually liberated city; a past when people were so wrapped up in television that the London park system had to hire people to dress up like the television creatures called wombles.
But more than bringing 1973 back to life for me, this film showed me an amazingly resilient Irishman named Kitten. To the people who think that a 135-minute film is way too long, I would tell them to go see Breakfast On Pluto, because those 135 minutes just fly by. And they are 135 minutes of great acting, across the board.
Breakfast On Pluto caught the tone of London in 1973 so well that it was like re-living the past. A past when friendships were mighty and strong; a past when London was a sexually liberated city; a past when people were so wrapped up in television that the London park system had to hire people to dress up like the television creatures called wombles.
But more than bringing 1973 back to life for me, this film showed me an amazingly resilient Irishman named Kitten. To the people who think that a 135-minute film is way too long, I would tell them to go see Breakfast On Pluto, because those 135 minutes just fly by. And they are 135 minutes of great acting, across the board.