Movie industry in Brazil has gone through many different phases and in all of them the northeast of the country has been a great source for film productions due to its social, cultural and natural conditions. So, throughout Brazilian movie industry, these northeast movies have been over-exposed. Avoiding clichés and stereotypes is not an easy task; and that is what Marcelo Gomes did quite successfully on his debut. The story itself is not that attractive, but the subtle way by which Marcelo conducts the scenes leads us to think of humanistic matters without committing the common mistake in the movie industry of giving us answers. There is a sensible balance: The grouchy and restless Ranulpho reminds us of the plight Brazilians from that region face and the absurdity of living in that condition; The smooth and adventurous Johann reiterates the adage that beauty is in the eye of the beholder and that despite the circumstances life should be lived. It sounds dumb when put into words, but images don not speak, they imply, and the characters are busy enough living, they don't philosophize to come to the conclusions for you. It is all an undeniable achievement for Brazilian movie industry.
Review of Cinema, Aspirins and Vultures
