I just watched this film (on European television), but didn't see from the very beginning what it was called. So I looked it up here on IMDb. "Strip Search" is a terrible title. What were they thinking? That I think is an example of what is wrong with the film. They have a story with a very interesting political premise, but they gave it some crap title more appropriate for a straight-to-video Shannon Tweed flick.
Well, it IS an interesting premise, that the U.S. domestic response to 9/11 has brought the country closer in some respects to the police states it still publicly condemns. It is a premise with which I strongly agree. And the plot vehicle of playing the same dialogue in a U.S. and a Chinese prison was a very good idea. But it is all really poorly done.
The biggest problem is the dialogue itself, which is clichéd. It really could have used a few rewrites. Surprising that it came from Tom Fontana, of the great "Homicide: Life On the Streets" TV series.
The other problem is that except for Glenn Close and Maggie Gyllenhaal, the other actors are unable to rise above the hack dialogue. Ken Leung I thought was particularly bad. And in movies, the ultimate blame for poor performances has to be laid at the feet of the director, in this case the legendary Sidney Lumet. (But let's face it, Lumet hasn't made a truly great film since 1976's "Network" (1976), and not even a good film since 1988's "Running On Empty.") With the exception of the acting of Close and Gyllenhaal, the whole film feels like a hack job. The political message is hammered home with all the subtlety of a German jazz band, complete with inter-cut speeches about freedom and democracy from U.S. presidents, and a fadeout with statistics about U.S. detainees. Sheesh.
Too bad, this could have been a thought-provoking film. It's so poorly done and overwrought that it just won't change anyone's mind.
Well, it IS an interesting premise, that the U.S. domestic response to 9/11 has brought the country closer in some respects to the police states it still publicly condemns. It is a premise with which I strongly agree. And the plot vehicle of playing the same dialogue in a U.S. and a Chinese prison was a very good idea. But it is all really poorly done.
The biggest problem is the dialogue itself, which is clichéd. It really could have used a few rewrites. Surprising that it came from Tom Fontana, of the great "Homicide: Life On the Streets" TV series.
The other problem is that except for Glenn Close and Maggie Gyllenhaal, the other actors are unable to rise above the hack dialogue. Ken Leung I thought was particularly bad. And in movies, the ultimate blame for poor performances has to be laid at the feet of the director, in this case the legendary Sidney Lumet. (But let's face it, Lumet hasn't made a truly great film since 1976's "Network" (1976), and not even a good film since 1988's "Running On Empty.") With the exception of the acting of Close and Gyllenhaal, the whole film feels like a hack job. The political message is hammered home with all the subtlety of a German jazz band, complete with inter-cut speeches about freedom and democracy from U.S. presidents, and a fadeout with statistics about U.S. detainees. Sheesh.
Too bad, this could have been a thought-provoking film. It's so poorly done and overwrought that it just won't change anyone's mind.