I think welshNick is rather hard on Juliet Bravo. In my view, some excellent characters were created: Inspectors Jean Darblay and Kate Longton, both striving to be so much better than the male officers around them, just so they would be perceived as being as good as their colleagues; Joe Beck, gruff, stolid but with a heart of gold especially in episode 2.13 "Catching Up" when he has to choose between doing his duty as a policeman and turning in an old mate for dangerous driving, and in episodes 5.12 "Ducks In A Row" and 5.13 "Resolution" when he is accused of involvement in a death in custody.
The very last episode 6.16 "Reason for Leaving" was intensely poignant, with its atmosphere of "it's Christmas and all's right with the world", following by its shock ending: one of the few times where Kate Longton broke down in tears and oh-so-formal Mark Perrin unbent a little and comforted her.
Yes the production values were a bit naff in places: it suffered from the standard technique, common to many late 1970s / early 1980s programmes, of combining gaudy studio interiors on video with blurred, grainy, flickery, drab film sometimes with hilarious continuity errors between the two! But I thought it was great.
I wish they'd bring it out on VHS or DVD.
The very last episode 6.16 "Reason for Leaving" was intensely poignant, with its atmosphere of "it's Christmas and all's right with the world", following by its shock ending: one of the few times where Kate Longton broke down in tears and oh-so-formal Mark Perrin unbent a little and comforted her.
Yes the production values were a bit naff in places: it suffered from the standard technique, common to many late 1970s / early 1980s programmes, of combining gaudy studio interiors on video with blurred, grainy, flickery, drab film sometimes with hilarious continuity errors between the two! But I thought it was great.
I wish they'd bring it out on VHS or DVD.