Review of Proteus

Proteus (2003)
9/10
Part Art Film, Part Historical Drama, Part Interracial Gay Love Story
28 April 2006
Warning: Spoilers
The important thing to know when going into this film is that it's first an art film; second, an historical drama; and finally and interracial gay love story.

As an art film, it meanders and intermingles elements of the 18th, 19th, and 20th centuries - from 1725 to 1964 - as a cinematic illustration of the maxim plus ça change, plus c'est la même chose - the more things change, the more they stay the same.

As an historical drama, it is based on an actual case and uses the names of the two men. The real relationship, however, began about 1715 (not 1725, as presented in the film) when Rijkhaart Jacobsz and Claas Blank were about 16 years old. They had been together 20 years when they were executed in 1735 about age 36. Their relationship was not particularly secret, and apparently not particularly shocking - so the reason for their trial and execution can only be speculated. The most likely explanation is that the sodomy panic that gripped The Netherlands in 1731 made its way down to Cape Town by 1735.

One of the amazing things about the real court case is that the testimonial evidence of the Khoi defendant, as well as the Dutch one, was recorded. Usually, there's just notes as to what the Black defendant said, not his (or her) actual words. So, for some reason, Claas Blank sufficiently impressed the Cape Colony authorities that he was treated essentially the same as a white convict.

Proteus is a poignant film, and a fine example of contemporary South African (and Canadian) cinema.
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