Perhaps the most richly artistic of all the TZ episodes. Gig Young's harassed advertising executive is undergoing a mid-life crisis when he finds himself next to the town he grew up in. Naturally, he's drawn back to the boyhood innocence of long ago as relief from the fast-paced pressures of an empty adult life. I suspect Serling reached deep within himself for this one.The half-hour is a near-perfect blend of script, atmosphere, and direction, with a subtly moving music score to deepen the mood of days gone by. Notice how subtly Young is transported back in time and how expertly the camera moves in for close-ups at the right emotional moment. The nighttime encounter bringing Young together with his father (Frank Conroy) is one of the most poignant in a series not known for highlighting such sensitive passages. It's also a moment of wonderfully understated high drama that I would think touches a near universal chord. There was always something deeply melancholic about Gig Young the person that comes through on the screen. Here he's perfectly cast and as a result adds greatly to the compelling mood. This may not be the creepiest, scariest, or most suspenseful entry, but it may be the most touching and artistically complete.