Although this is a remake of the famous and far superior John Ford masterpiece, HURRICANE manages to be one of MIA FARROW's least impressive jobs as an actress--not entirely her fault since the script, based this time on the Nordhoff-Hall novel, is a mess. It's really not the same storyline used in the Ford film.
The only similarity to the original is that it ends with a furious hurricane that cost $22 million to recreate but doesn't save the disastrously weak story from being anything but an unmitigated bore. The love interest is practically non-existent, consisting of close-up stares between Mia and her island sweetheart. Whenever there is any dialog, it's about as clumsy as can be. (Example: When he proposes that they elope, he says: "Come to the altar with the white flower--I will be there with the red.") Somebody should of been there with some directorial talent. Jan Troell falls far short of John Ford, as does the script. Usually, it's worth it to sit through a boring romance to see the howler of a hurricane. In this case, not so.
The only similarity to the original is that it ends with a furious hurricane that cost $22 million to recreate but doesn't save the disastrously weak story from being anything but an unmitigated bore. The love interest is practically non-existent, consisting of close-up stares between Mia and her island sweetheart. Whenever there is any dialog, it's about as clumsy as can be. (Example: When he proposes that they elope, he says: "Come to the altar with the white flower--I will be there with the red.") Somebody should of been there with some directorial talent. Jan Troell falls far short of John Ford, as does the script. Usually, it's worth it to sit through a boring romance to see the howler of a hurricane. In this case, not so.