Claude Berri has given us some fine pictures in the past; this is one of his very best. Aymé's novel had been very cynical, Berri keeps the tone and adds some fiery acting by Depardieu as Leopold the doomed barkeeper to create a lovely film. Hiding a collaborator might have been the focal point of some other film, but here it's almost secondary to the vicious intrigue going on among Communists, Pétain fanciers and others who just want to survive. It's a delight to see Berri showing Rochard, the Communist stalwart who had denounced so many, reporting Leopold to the police as having given shelter to Maxime Loin, then Leopold hires Rochard to help him in the bar: very funny and very pointed satire.
The performances are all so good. Michel Galabru as the oily, vicious Monglat, the profiteer whom everyone fears but whom everyone curries favor with is superb. Fabrice Luchini as the doctrinaire Communist Jourdan has hollow cheeks and horrible button eyes; he looks like one of the demented saints in El Greco's paintings. Michel Blanc as Gaigneux, the more realistic Party member, is solid--he not only wants to navigate the swift currents of politics, but is looking for love from Archambaud's daughter.
The performances are all so good. Michel Galabru as the oily, vicious Monglat, the profiteer whom everyone fears but whom everyone curries favor with is superb. Fabrice Luchini as the doctrinaire Communist Jourdan has hollow cheeks and horrible button eyes; he looks like one of the demented saints in El Greco's paintings. Michel Blanc as Gaigneux, the more realistic Party member, is solid--he not only wants to navigate the swift currents of politics, but is looking for love from Archambaud's daughter.