For Ray Bradbury the masterwork of perfect poignance is Drink Entire: Against the Madness of Crowds. For Isaac Asimov it is Bicentennial Man. Only Asimov could remake Pinocchio as compelling science fiction. So many have tried to create a sweet and funny story of the machine that would be man, but this is it's perfect telling.
Only Robin Williams could play the unlikely hero of this story with perfect comedic timing and perfect emotional pitch. Embeth Davidtz as his leading lady matches his skills at every turn, and Sam Neill turns in one his best performances as the man who first recognized the irreplaceable uniqueness of his mistuned android.
Bicentennial Man is first rate science fiction without physical conflict, without wars, without new ways to incinerate each other. In the end, it makes you glad to be a messy human. Watching this truly beautiful film is a wonderful way to spend an evening, and a guarantor of better dreams than you've had in many years.
Only Robin Williams could play the unlikely hero of this story with perfect comedic timing and perfect emotional pitch. Embeth Davidtz as his leading lady matches his skills at every turn, and Sam Neill turns in one his best performances as the man who first recognized the irreplaceable uniqueness of his mistuned android.
Bicentennial Man is first rate science fiction without physical conflict, without wars, without new ways to incinerate each other. In the end, it makes you glad to be a messy human. Watching this truly beautiful film is a wonderful way to spend an evening, and a guarantor of better dreams than you've had in many years.