This is a truly amazing movie which I love. It has five different stories, each on a different city, with very different people, but all in a taxi. All the people are very different, with different background, ambitions, culture and personality, but in the end, so similar. I loved every part of it, some of them are very funny, others touching, depressing, heartbreaking, enjoyable or simply beautiful. They are all wonderful portraits of the city in which they happen. They don't show touristic locations, but how the cities really are and how people behave and think. Every story is well told, with great pace, amazing, believable dialogs and realistic characters that you get to know very well in little time. They work both together and alone. They're all great and I can't choose my favorite.
In the first segment, a young tomboy taxi driver meets a wealthy talent seeker, who wants to cast her in a movie. In New York, an afro American meets an immigrant, his cab driver, lost in the city. In Paris, a blind girl takes a ride with an irritable cab driver from the Ivory Coast and they talk about life and blindness. In Rome, a cab driver picks up a priest and starts confessing, and in Helsinki a miserable driver picks up three drunks and they speak about the most depressing things that ever happened to them.
The direction is amazing in all its simplicity. The camera angles are steady, usually focusing no the actors and allowing you to concentrate on the dialogs.But there are some that show the city, the cars passing, the buildings, lovers in the middle of the night, junkies, etc, and these have unusual quality.
The acting is great by everyone. Winona Ryder, frequently criticized, is in my opinion very funny and totally different from her other roles. I really enjoyed her acting. Gena Rowlands plays her "opposite" in a nice, underacting way. Armin Mueller-Stahl is very touching and expressive (the moment he says he was a clown is very beautiful), with an amazing use of his eyes. Giancarlo Esposito and Jennifer Perez are fun to watch, too. Béatrice Dalle is incredibly charismatic and believable as a blind young woman, and Isaach De Bankolé is good. Roberto Benigni is about as hilarious as you can get, in his one man show. His speech is obviously very funny, but Benigni makes it mind blowing. Some will hate it, though I couldn't stop laughing. Matti Pellonpää delivers his speech in a dramatic, depressive way but without overacting.
The cinematography and the music are beautiful, make this movie feel nostalgic and help linking the segments. This is a very original, worthwhile movie.
In the first segment, a young tomboy taxi driver meets a wealthy talent seeker, who wants to cast her in a movie. In New York, an afro American meets an immigrant, his cab driver, lost in the city. In Paris, a blind girl takes a ride with an irritable cab driver from the Ivory Coast and they talk about life and blindness. In Rome, a cab driver picks up a priest and starts confessing, and in Helsinki a miserable driver picks up three drunks and they speak about the most depressing things that ever happened to them.
The direction is amazing in all its simplicity. The camera angles are steady, usually focusing no the actors and allowing you to concentrate on the dialogs.But there are some that show the city, the cars passing, the buildings, lovers in the middle of the night, junkies, etc, and these have unusual quality.
The acting is great by everyone. Winona Ryder, frequently criticized, is in my opinion very funny and totally different from her other roles. I really enjoyed her acting. Gena Rowlands plays her "opposite" in a nice, underacting way. Armin Mueller-Stahl is very touching and expressive (the moment he says he was a clown is very beautiful), with an amazing use of his eyes. Giancarlo Esposito and Jennifer Perez are fun to watch, too. Béatrice Dalle is incredibly charismatic and believable as a blind young woman, and Isaach De Bankolé is good. Roberto Benigni is about as hilarious as you can get, in his one man show. His speech is obviously very funny, but Benigni makes it mind blowing. Some will hate it, though I couldn't stop laughing. Matti Pellonpää delivers his speech in a dramatic, depressive way but without overacting.
The cinematography and the music are beautiful, make this movie feel nostalgic and help linking the segments. This is a very original, worthwhile movie.