Diana Wynne Jones novel is adopted by film-making legend Hayao Miyazaki to create a subtle classic.
It tells the story of Sophie, a simple city girl with low self esteem, who works in a hat shop in a Eurasian-fantasy country plagued by war. The local celebrity, Howl, is a mysterious magician about whom rumors fly like flocks of pigeons. After a chance meeting with the sorcerer, and an unfortunate encounter with a more infamous personality, the Witch of the Waste, Sophie is transformed into an elderly version of herself. In seeking a way to avert the curse, Sophie finds herself caught up in the twisted politics of the conflict, but more importantly, she discovers that it truly is love, in this case, the love of a family, that is the cure for war.
What makes this story so brilliant is that the environment is removed from our earth completely, so that no racial structure or borders can be identified. This reveals the true madness of conflict, which is used as the background for the kind of enchanting story that one might curl up with on a rainy day--or even a sunny one. Studio Ghibli's textbook superior visions are on display once again to push forward the technical quality of the film, and the capable U.S. production team and cast have presented the story in a way that does justice to the visuals. For those who are thrown by the message, think nothing of it--it took me a few viewings as well. But I did come to realize that this is actually a rather powerful allegory for our own war-torn world, and the things that really matter within--the desire to love, be loved, and shun yourself for others based on that love. Perhaps, like a fine wine, it will gain appreciation with the passage of time.
It tells the story of Sophie, a simple city girl with low self esteem, who works in a hat shop in a Eurasian-fantasy country plagued by war. The local celebrity, Howl, is a mysterious magician about whom rumors fly like flocks of pigeons. After a chance meeting with the sorcerer, and an unfortunate encounter with a more infamous personality, the Witch of the Waste, Sophie is transformed into an elderly version of herself. In seeking a way to avert the curse, Sophie finds herself caught up in the twisted politics of the conflict, but more importantly, she discovers that it truly is love, in this case, the love of a family, that is the cure for war.
What makes this story so brilliant is that the environment is removed from our earth completely, so that no racial structure or borders can be identified. This reveals the true madness of conflict, which is used as the background for the kind of enchanting story that one might curl up with on a rainy day--or even a sunny one. Studio Ghibli's textbook superior visions are on display once again to push forward the technical quality of the film, and the capable U.S. production team and cast have presented the story in a way that does justice to the visuals. For those who are thrown by the message, think nothing of it--it took me a few viewings as well. But I did come to realize that this is actually a rather powerful allegory for our own war-torn world, and the things that really matter within--the desire to love, be loved, and shun yourself for others based on that love. Perhaps, like a fine wine, it will gain appreciation with the passage of time.