Providence is not an intellectual or artsy film, in the usual meaning of the word 'intellectual'. Is more a literary movie that experiments with the idea of an author, who is not only a novelist, but a playful and cynic god. In this sense, Providence is reminiscence of an idea exposed by the great Spanish writer and thinker Miguel de Unamuno in his novel Niebla: the author can play God inside the world of his creations, make fun of his characters worries, reactions and words.
In Unamuno's novel, the idea is exposed with undeniable clarity. In Providence is far more complex, because there are also more psychology, absurdity and surrealism. Viewers can find a sarcastic but profound treatment of problems like adultery, Oedipus Complex, family hatred, social classes, pessimism and murder.
But, in my opinion, Providence is a great film, not by Resnais pompous direction or by the much complicated literary ideas exposed in the story: this film contains one of Dirk Bogarde's and John Gielgud's best performances ever. Bogarde, the master of extreme elegance and excessive but charming mannerism, and Gielgud, with his mastery in giving words an independent life -as Derek Jacobi does-, bring humor and irony to this very pretentious work of Resnais.
In Unamuno's novel, the idea is exposed with undeniable clarity. In Providence is far more complex, because there are also more psychology, absurdity and surrealism. Viewers can find a sarcastic but profound treatment of problems like adultery, Oedipus Complex, family hatred, social classes, pessimism and murder.
But, in my opinion, Providence is a great film, not by Resnais pompous direction or by the much complicated literary ideas exposed in the story: this film contains one of Dirk Bogarde's and John Gielgud's best performances ever. Bogarde, the master of extreme elegance and excessive but charming mannerism, and Gielgud, with his mastery in giving words an independent life -as Derek Jacobi does-, bring humor and irony to this very pretentious work of Resnais.