The classic western hero is a lone stranger who rides into a town terrorized by a gang of ruthless ruffians. The townspeople let these ruffians prey on them because they are either too weak or too cowardly to drive them out.
Meanwhile, the hoer is in the town out of some necessity. He prefers to mind his own business and look the other way. He is "just passing through" and doesn't plan to get entangled in the woes of others. Someway or somehow, however, the townspeople's fight becomes his fight, and he must stand up to the predators.
When you think of this classic western hero, movies like George Stevens' "Shane" with Alan Ladd or John Sturges' "Bad Day at Black Rock" with Spencer Tracy come to mind. Indeed, westerns classics or otherwise are not being made in the numbers that they used to appear in on the silver screen. Nevertheless, that doesn't mean the classic western hero has vanished. He is alive, well and kicking ass in John Flynn's "Defiance" with Jan-Michael Vincent. "Defiance" is one of the few decent movies—along with Michael Winner's "The Mechanic"—that Vincent made before he destroyed his life with alcohol, narcotics, and various other forms of abuse.
The setting of "Defiance" is not the old West. Instead, this tale of urban terror is set in the east side slums of contemporary New York City. The hero Tom Gamble, played with good natured but stalwart gusto by Vincent neither carries a six-gun nor rides a horse.
Gamble is a footloose mariner laid over in town following his six-month suspension by his union for brawling. He is "just passing through" and he is eagerly awaiting the next ship out of town. The first ship is bound for South America, but he has to learn Spanish before he can get hired onto it.
Gamble rents a cheap apartment and spends his time studying Spanish and drinking beer. Before long he gang that roans the neighborhood—they call themselves 'The Souls'—take an interest in the stranger.
The Souls attack a young boy that Gamble has befriended, rob a bingo game, and murder a retired boxing champ. Along the way, they manage to beat up Tom Gamble, too. But Gamble gets back on his feet and goes after these thugs.
The screenplay by producer Thomas Michael Donnelly is predictable, strictly a formula driven revenge actioneer. It appears as if Donnelly culled memorable scenes from "The Magnificent Seven," "Death Wish," "Billy Jack," and "High Noon" to make up his script.
Imitative though it may be, "Defiance" is definitely a superior effort. There are no car chases or shoot-outs. It is knives, fists, and Louisville sluggers. The dialogue sounds realistic and the characters are well-rounded by both Donnelly's script and a talented cast.
John Flynn, who directed "Defiance," has called the shots of several minor masterpieces such as "The Sergeant" with Rod Steiger, "The Outfit" with Robert Duvall, and "Rolling Thunder" with William Devane. Flynn specializes in tough, realistic, little action epics that recall the studio-bound James Cagney and Humphrey Bogart thrillers that Warner Brothers ground out in the 1930s and 1940s. Flynn crafts his movies with both economy and imagination. "Defiance" qualified as Flynn's best film when he came out in 1980 and a sleeper, too. Flynn has a knack for creating atmospheric situations and staging exciting rough & tumble fights that put to good use in "Defiance." He builds the action to a pressure cooker climax that explodes in a rousing finale. There isn't a slack moment in this fast-paced melodrama that has it share of humorous interludes.
Jan Michael Vincent delivers his finest, most mature performance. Although he clenches his jaws and knuckles his fists, he never plays Tom Gamble as a muscle-bound moron. As Gamble, he is a modest, ordinary hombre who stand up for what he believes in and rejects any phony claims to being a hero.
Art Carney is featured in a small role as a Jewish storekeeper who rebels against The Souls and gets severely beaten for his defiance. Rudy Ramos nearly steals the movie as the kingpin villain who heads up The Souls.
Altogether, "Defiance" is a little movie. There is nothing pretentious about it. Moreover, it is not profane, lewd, or gratuitous. The ending is happy, and the theme of the community that rejuvenates itself is inspiring without being dripping with too much sentiment.
Meanwhile, the hoer is in the town out of some necessity. He prefers to mind his own business and look the other way. He is "just passing through" and doesn't plan to get entangled in the woes of others. Someway or somehow, however, the townspeople's fight becomes his fight, and he must stand up to the predators.
When you think of this classic western hero, movies like George Stevens' "Shane" with Alan Ladd or John Sturges' "Bad Day at Black Rock" with Spencer Tracy come to mind. Indeed, westerns classics or otherwise are not being made in the numbers that they used to appear in on the silver screen. Nevertheless, that doesn't mean the classic western hero has vanished. He is alive, well and kicking ass in John Flynn's "Defiance" with Jan-Michael Vincent. "Defiance" is one of the few decent movies—along with Michael Winner's "The Mechanic"—that Vincent made before he destroyed his life with alcohol, narcotics, and various other forms of abuse.
The setting of "Defiance" is not the old West. Instead, this tale of urban terror is set in the east side slums of contemporary New York City. The hero Tom Gamble, played with good natured but stalwart gusto by Vincent neither carries a six-gun nor rides a horse.
Gamble is a footloose mariner laid over in town following his six-month suspension by his union for brawling. He is "just passing through" and he is eagerly awaiting the next ship out of town. The first ship is bound for South America, but he has to learn Spanish before he can get hired onto it.
Gamble rents a cheap apartment and spends his time studying Spanish and drinking beer. Before long he gang that roans the neighborhood—they call themselves 'The Souls'—take an interest in the stranger.
The Souls attack a young boy that Gamble has befriended, rob a bingo game, and murder a retired boxing champ. Along the way, they manage to beat up Tom Gamble, too. But Gamble gets back on his feet and goes after these thugs.
The screenplay by producer Thomas Michael Donnelly is predictable, strictly a formula driven revenge actioneer. It appears as if Donnelly culled memorable scenes from "The Magnificent Seven," "Death Wish," "Billy Jack," and "High Noon" to make up his script.
Imitative though it may be, "Defiance" is definitely a superior effort. There are no car chases or shoot-outs. It is knives, fists, and Louisville sluggers. The dialogue sounds realistic and the characters are well-rounded by both Donnelly's script and a talented cast.
John Flynn, who directed "Defiance," has called the shots of several minor masterpieces such as "The Sergeant" with Rod Steiger, "The Outfit" with Robert Duvall, and "Rolling Thunder" with William Devane. Flynn specializes in tough, realistic, little action epics that recall the studio-bound James Cagney and Humphrey Bogart thrillers that Warner Brothers ground out in the 1930s and 1940s. Flynn crafts his movies with both economy and imagination. "Defiance" qualified as Flynn's best film when he came out in 1980 and a sleeper, too. Flynn has a knack for creating atmospheric situations and staging exciting rough & tumble fights that put to good use in "Defiance." He builds the action to a pressure cooker climax that explodes in a rousing finale. There isn't a slack moment in this fast-paced melodrama that has it share of humorous interludes.
Jan Michael Vincent delivers his finest, most mature performance. Although he clenches his jaws and knuckles his fists, he never plays Tom Gamble as a muscle-bound moron. As Gamble, he is a modest, ordinary hombre who stand up for what he believes in and rejects any phony claims to being a hero.
Art Carney is featured in a small role as a Jewish storekeeper who rebels against The Souls and gets severely beaten for his defiance. Rudy Ramos nearly steals the movie as the kingpin villain who heads up The Souls.
Altogether, "Defiance" is a little movie. There is nothing pretentious about it. Moreover, it is not profane, lewd, or gratuitous. The ending is happy, and the theme of the community that rejuvenates itself is inspiring without being dripping with too much sentiment.