Jean Shepherd, Bob Clark, and the entire cast and crew seem to be trying really hard with this latecomer sequel to "A Christmas Story" but it just doesn't work.
Now granted, it would be tough for anyone to follow in the footsteps of the beloved characters portrayed so memorably by Darren McGavin (as The Old Man) and Peter Billingsley (as Ralphie) in the original, but the efforts here by Charles Grodin and Kieran Culkin, respectively, are disappointingly feeble. Culkin can be dismissed as merely bland; he's just not much of an actor. Grodin, however, is more problematic. Never the warmest of actors, his skill at playing low-key supporting characters who specialize in dryly delivered asides is unparalleled. But here he's simultaneously trying to pay a tribute to McGavin and convincingly portray a bigger-than-life 'man's man'; in both cases he's not only unconvincing, but actually looks uncomfortable.
Despite the ploddingly episodic script and casting weaknesses, praise should go, once again, to the production design and costuming, nostalgically evoking a bygone era. For some people that may be enough. But overall this a depressing example of filmmakers going to the well once too often.
Now granted, it would be tough for anyone to follow in the footsteps of the beloved characters portrayed so memorably by Darren McGavin (as The Old Man) and Peter Billingsley (as Ralphie) in the original, but the efforts here by Charles Grodin and Kieran Culkin, respectively, are disappointingly feeble. Culkin can be dismissed as merely bland; he's just not much of an actor. Grodin, however, is more problematic. Never the warmest of actors, his skill at playing low-key supporting characters who specialize in dryly delivered asides is unparalleled. But here he's simultaneously trying to pay a tribute to McGavin and convincingly portray a bigger-than-life 'man's man'; in both cases he's not only unconvincing, but actually looks uncomfortable.
Despite the ploddingly episodic script and casting weaknesses, praise should go, once again, to the production design and costuming, nostalgically evoking a bygone era. For some people that may be enough. But overall this a depressing example of filmmakers going to the well once too often.