This adaptation of the novel is a really interesting movie - in ways, I feel like it's so unique that it makes it difficult to judge how "good" the film really is. There are a lot of colorful, unusual and even rather creepy special effects, including animation of several kinds.
The quality of the acting is also difficult to gauge because the interactions between characters are already supposed to be so far removed from the kinds of things that people in your life most likely say and do. Max von Sydow's performance was very different from how the character of Harry Haller existed in my head before seeing the movie: I had read the book first and couldn't quite see Harry as being so silly-looking or laughable throughout the whole story. Dominique Sanda did convey an appropriate mystique as Hermine, and has a really interesting speaking voice. A very nationally and sexually ambiguous guy named Pierre Clementi seemed to have a lot of fun with his crazy take on Pablo. Hilarious! The music and the whole sound concept of the movie were also.. can anyone think of another word for "unique"? But in this case, I also thought they were excellently conceived.
Part of me found that the movie's endearing irregularities were a great way to reflect the absurdity and awkwardness that are felt by the main character, but another part was not entirely convinced. So, I give the movie a 7/10 after some deliberation, partly out of the respect I have for works of true originality, of which this is certainly one.
The quality of the acting is also difficult to gauge because the interactions between characters are already supposed to be so far removed from the kinds of things that people in your life most likely say and do. Max von Sydow's performance was very different from how the character of Harry Haller existed in my head before seeing the movie: I had read the book first and couldn't quite see Harry as being so silly-looking or laughable throughout the whole story. Dominique Sanda did convey an appropriate mystique as Hermine, and has a really interesting speaking voice. A very nationally and sexually ambiguous guy named Pierre Clementi seemed to have a lot of fun with his crazy take on Pablo. Hilarious! The music and the whole sound concept of the movie were also.. can anyone think of another word for "unique"? But in this case, I also thought they were excellently conceived.
Part of me found that the movie's endearing irregularities were a great way to reflect the absurdity and awkwardness that are felt by the main character, but another part was not entirely convinced. So, I give the movie a 7/10 after some deliberation, partly out of the respect I have for works of true originality, of which this is certainly one.