The attempt to make a movie of this subtlety in the United States of the late 1980s was extraordinary, and the measure of how simply yet successfully it was done equally so. The result is moving and exemplary, and especially so for screenwriters, for it shows how much can be done at little cost if a company of filmmakers commit themselves to focusing upon people rather than hype. Readers of this comment needn't read further, for it ends here. However, the 'guidelines' for posting require me to 'hype' its length to ten lines - so I am obliged to repeat: RACHEL RIVER is moving and exemplary, and especially so for screenwriters, for it shows how much can be done at little cost if a company of filmmakers commit themselves to focusing upon people rather than hype.
Review of Rachel River
